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THE PREMONITION

Worth the 35-year wait for Yoshimoto’s Anglophone fans.

A young woman’s relationship with her eccentric aunt leads her to startling revelations about her life and her past.

Nineteen-year-old Yayoi is haunted by an inability to remember her past. She has an uncanny sense of the future, however: She can often sense who will be on the phone when it begins ringing. After an odd vision in her family’s bathroom, she becomes unsettled enough to leave home, landing on the doorstep of her young aunt, Yukino. Yukino is only about 11 years Yayoi’s senior, but she has already settled into a “spinster” persona, living alone in a large, cluttered house and teaching music at a local high school. When Yayoi begins to press Yukino for answers to questions she has about her blurry past, the pieces of Yayoi’s past—and future—begin to fall into place. This short novel was first published in Japan in 1988, but its floaty interiority feels timeless. (Even Yukino’s obsession with the Friday the 13th films still feels plausible.) In some ways, this is an archetypal coming-of-age story about being young and needing to leave home in order to gain clarity, but both the style and the plot particulars (including a slightly off-kilter love story subplot) set it apart. Translator Yoneda elegantly renders Yoshimoto’s synesthetic descriptions and atmospheric settings, which range from Tokyo to numerous rural locales. Yoshimoto has become a happier writer—or at least more interested in writing happy characters—as her career has unfolded. But this melancholy bildungsroman acknowledges the way that leaving behind adolescence can evoke the bittersweet sensation of waking up from a strange and vivid dream. “Only by coming through it,” Yayoi thinks of her visit to Yukino, “could I get to living the rest of my life.”

Worth the 35-year wait for Yoshimoto’s Anglophone fans.

Pub Date: Oct. 3, 2023

ISBN: 9781640093713

Page Count: 256

Publisher: Counterpoint

Review Posted Online: July 13, 2023

Kirkus Reviews Issue: Aug. 1, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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