A well-written novel sure to satisfy fans of small-town romances with a touch of danger.
In the first installment of Avon’s series, a young man struggles to establish a career and navigate a fraught new romantic relationship while reeling from the loss of his mother.
When readers first meet 30-year-old Mario, the protagonist is contemplatively smoking a cigarette as he waves to the mortician ferrying away his mother’s body. With his father long since out of the picture—even if Mario knows just where to find him—and his mother recently dead, Mario is now effectively an orphan. In his younger, better days, when he was living in the nice part of town, Mario was one of the cool kids at school, a football quarterback from a well-to-do family who harbored dreams of one day becoming a chef. Now, left by his parents’ divorce and mother’s death in dire straits and living quite literally on the wrong side of the tracks, those dreams seem like a thing of the past, no matter how much Mario knows his mother would want him to chase after his ambitions. Whether for his own satisfaction or to honor his dead mother, Mario humbles himself before his father by asking for a job at his restaurant, but he is insulted by the dishwasher position he’s offered. Mario soon lucks into a different opportunity: He meets Dean (friends call him “Dito”), owner of Dean’s Pizzeria, where he soon begins to work as a cook. Things are looking up, and soon Mario even meets a girl—Teresa, or, as friends call her, “Tess.” As if her beauty weren’t enough to attract Mario, Tess comes from the other, ‘better’ side of town and reminds him of his old life, when times were easier. But as in so many romances that seem, at first, too good to be true, there is trouble; Tess is harboring dark secrets that threaten to derail the hard-fought progress Mario has achieved for himself.
Avon’s novel is teeming with characters readers will feel they have seen before: an ambitious young man with a worthless, selfish father; a loving, long-suffering mother; a pretty girl with a checkered past. While at first readers may fear clichés abound, the author deftly leans on her command of setting to inform the characters, as seen here in a description of the apartment Mario’s mother left behind: “The story [she had been reading] without an audience had been eternally suspended, like a movie reel that snaps in the middle of the film’s denouement. On the bedroom dresser, a full bottle of baby powder was tipped on its side, spilling its guts. Clothes hung on their hangers; emaciated shells craving a human.” Avon’s evocative language carries the day here, and while there are passages that skirt overwriting (the phrase “feculent with impurity” appears in the novel’s opening sentence, for example), the vivid prose, in combination with the natural tension of a burgeoning love story pressurized by the secrets young lovers hide from one another, makes this novel stand out in a crowded field of suspenseful romance tales.
A well-written novel sure to satisfy fans of small-town romances with a touch of danger.Pub Date: Nov. 18, 2021
ISBN: 9798533357043
Page Count: 174
Publisher: N/A
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
Review Program: Kirkus Indie
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
A standout in the series.
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
SEEN & HEARD
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