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SECOND ACT

LIFE AFTER COLOSTOMY AND OTHER ADVENTURES

That even colostomies have their humorous aspect is demonstrated in this spirited account by a Tony- and Oscar- nominated actress with a remarkable zest for life. In April 1994, when Barrie was in her early 60s, she was diagnosed with colorectal cancer. Her story of what followed is not a simple one, for unfortunately all did not go well. Having been told that the surgery would leave her with an opening, or stoma, on her abdomen that would resemble a rosebud, she found to her horror and considerable pain that her bowel protruded some three inches and looked, in her words, exactly like ``a pink penis coming out of a donut.'' Ten months after her first surgery at Columbia Presbyterian, another surgeon at New York Hospital performed a second, successful colostomy. During this period, in which Barrie also underwent chemotherapy and radiation, she rehearsed and appeared in a play and on several television shows (she's Brooke Shields's grandmother on Suddenly Susan), while continuing to entertain friends, attend the theater, play tennis, and spend weekends with her husband on Fire Island. Throughout, she insisted on her privacy, and few people in her business or personal life knew what she was going through. Then, a humiliating accident on a Manhattan bus inspired Barrie to go public with her story. She bares her soul and her body with considerable panache. Even the details of how to care for a colostomy and perform the necessary daily irrigation are told with frankness and good humor. Learning about colostomies from a woman who has clearly continued to live a full and active life should comfort those facing similar surgery. The broader lesson to be learned from Barrie's experience, however, is the danger of denial. For years she ignored her symptoms, when to have taken early action might well have made this a very different story. A gutsy woman's tale of survival. (Author tour)

Pub Date: Sept. 5, 1997

ISBN: 0-684-83587-8

Page Count: 247

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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