Another intergenerational romance from Bickmore (The Moon Below, 1990, etc.) demonstrating that today's daughters who get it all must thank a generation of mothers who made painful choices to expand women's roles. It's the year South Pacific opened on Broadway. Sydney Hamilton glimpses struggling actor Jordan Eliot across a crowded Manhattan room—she's never seen anyone so handsome before—and Jordan watches Sydney, down from Wellesley, as she shimmies atop a piano, and thinks she's the classiest girl in the world. And why not? She's from one of America's founding families: the well-heeled Hamiltons of Maryland, who have owned the Chesapeake island of Oberon since the 17th century. Against her father's wishes, Sydney marries Jordan—a marriage that produces little Ashley and Juliet. Jordan becomes a major movie star, but Sydney is bored in Hollywood, where she lives only vicariously through her husband. Then, after a disastrous sojourn on a movie set in the Congo, Sydney takes the girls back east to Oberon (Bickmore's version of Tara) and to her family: withholding father, publisher of the highly conservative New York Chronicle; loving mother and grandmother who want more for Sydney; bon vivant Uncle Billy, who knows where a rich girl can get a safe abortion; and Sydney's brother Evan, for whom a legion of bimbos can never fill his sister's shoes. Sydney becomes a successful newspaper publisher, and, as a proponent of a woman's right to choose, she reverses the Chronicle's politics. Meanwhile, Ashley, the good daughter, becomes a veterinarian, as Juliet, angry and troubled, almost kills herself with liquor and drugs. When Evan tries to sell Oberon to developers, Jordan and Sydney, now in their 50s, join forces to keep their Middle Atlantic Bali Hai safe for future generations of Hamiltons and migrating birds. Fresh and inventive romance does battle against a sometimes overbearing political agenda: Jordan and Sydney get back together after Jordan admits that his consciousness has been ``awakened.'' Frankly, everybody, he does give a damn.
Pub Date: May 1, 1995
ISBN: 0-8217-4923-4
Page Count: 496
Publisher: Kensington
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 1995
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
