FEET, GO TO SLEEP

This technique for drifting off to slumber is surely worth a try.

When every inch of you is bone tired, why not try falling asleep bit by bit?

That’s what little Fiona, weary from a tiring day frolicking with family at the beach, does—and it works. She dispatches each body part off to dreamland, reminiscing as she goes how each part, starting with her toes and proceeding upward, was especially suited to enjoy a day bursting with activity and fun. The watercolor, gouache, fabric, and digital illustrations are bright and cheerful, neatly conveying a perky child and her warm, happy memories of a day spent with loving, multiethnic relatives. In her body language, Fiona looks almost as energetic in her varying states of repose as she did on the beach and during the picnic afterward, which may lead some readers to believe that actively, consciously willing the body to sleep might stimulate wakefulness rather than induce drowsiness. Additionally, the front blurb suggests that sending body parts off to sleep, one by one, is “a proven relaxation technique,” but no supporting evidence to back this up is provided in an author’s note or elsewhere; parents might appreciate corroborative research or anecdotal data. Still, children and their special grown-ups should find this an endearing prelude to bedtime after their own very busy days, especially if enlivened by discussions of how kids’ body parts figured into their activities.

This technique for drifting off to slumber is surely worth a try. (Picture book. 3-6)

Pub Date: May 12, 2015

ISBN: 978-0-449-81325-6

Page Count: 32

Publisher: Knopf

Review Posted Online: Feb. 15, 2015

Kirkus Reviews Issue: March 1, 2015

YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

ONE FAMILY

A visually striking, engaging picture book that sends the message that everyone counts.

A playful counting book also acts as a celebration of family and human diversity.

Shannon’s text is delivered in spare, rhythmic, lilting verse that begins with one and counts up to 10 as it presents different groupings of things and people in individual families, always emphasizing the unitary nature of each combination. “One is six. One line of laundry. One butterfly’s legs. One family.” Gomez’s richly colored pictures clarify and expand on all that the text lists: For “six,” a picture showing six members of a multigenerational family of color includes a line of laundry with six items hanging from it outside of their windows, as well as the painting of a six-legged butterfly that a child in the family is creating. While text never directs the art to depict diverse individuals and family constellations, Gomez does just this in her illustrations. Interracial families are included, as are depictions of men with their arms around each other, and a Sikh man wearing a turban. This inclusive spirit supports the text’s culminating assertion that “One is one and everyone. One earth. One world. One family.”

A visually striking, engaging picture book that sends the message that everyone counts. (Picture book. 3-6)

Pub Date: May 26, 2015

ISBN: 978-0-374-30003-6

Page Count: 32

Publisher: Frances Foster/Farrar, Straus & Giroux

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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