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FEET, GO TO SLEEP

This technique for drifting off to slumber is surely worth a try.

When every inch of you is bone tired, why not try falling asleep bit by bit?

That’s what little Fiona, weary from a tiring day frolicking with family at the beach, does—and it works. She dispatches each body part off to dreamland, reminiscing as she goes how each part, starting with her toes and proceeding upward, was especially suited to enjoy a day bursting with activity and fun. The watercolor, gouache, fabric, and digital illustrations are bright and cheerful, neatly conveying a perky child and her warm, happy memories of a day spent with loving, multiethnic relatives. In her body language, Fiona looks almost as energetic in her varying states of repose as she did on the beach and during the picnic afterward, which may lead some readers to believe that actively, consciously willing the body to sleep might stimulate wakefulness rather than induce drowsiness. Additionally, the front blurb suggests that sending body parts off to sleep, one by one, is “a proven relaxation technique,” but no supporting evidence to back this up is provided in an author’s note or elsewhere; parents might appreciate corroborative research or anecdotal data. Still, children and their special grown-ups should find this an endearing prelude to bedtime after their own very busy days, especially if enlivened by discussions of how kids’ body parts figured into their activities.

This technique for drifting off to slumber is surely worth a try. (Picture book. 3-6)

Pub Date: May 12, 2015

ISBN: 978-0-449-81325-6

Page Count: 32

Publisher: Knopf

Review Posted Online: Feb. 15, 2015

Kirkus Reviews Issue: March 1, 2015

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DIGGERSAURS

Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...

Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.

The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.

Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)

Pub Date: April 2, 2019

ISBN: 978-1-9848-4779-9

Page Count: 32

Publisher: Random House

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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