High-grade romance energized by environmental awareness: not a toxic mix.
Best-selling Delinsky (Lake News, 1999, etc.) imagines 21st-century life in the town that inspired Grace Metalious’s notorious novel.
Annie Barnes also comes from Middle River, N.H., even though she now lives in Washington, D.C., and Annie’s nearing the two-million-copy mark for her third novel, though of course that doesn’t match Grace’s sales. When Annie returns home after her mother’s death, everyone in town, including her sisters Phoebe and Sabina, is convinced she’s there to expose all of Middle River’s dirty little secrets. (Readers will have to take it on faith that small-town folks can be as idiotically accusative as Delinsky makes them here.) About 70 percent of Middle River’s income derives from the Northwood paper mill, ruled by awful Aidan Meade. Now 33 and on his third marriage, Aidan once stood up plain-Jane Annie for the high-school prom (he was having an affair with a married woman). No, she’s not out for vengeance; she just wants to know whether her mother’s fatal illness, the symptoms of which are now replicated in Phoebe, is related in any way to mercury waste from the paper mill. The author’s research on mercury poisoning gives this story some stature above that of its agonizingly small-minded characters. (Just in case that’s too high-minded, Delinsky throws in an underaged teenager having sex on a dark road and a police chief addicted to painkillers.) Annie gets a list of people whose sicknesses may stem from mercury poisoning. The townsfolk get more and more upset with her. Soon Grace appears inside Annie’s head, and the pair of writers begin an endless conversation. Meanwhile, Annie starts running in the morning and meets fellow jogger James Meade, Aidan’s handsome, well-spoken brother. She gets her big break when a mysterious correspondent begins telling her secrets via e-mail. Will the truth come out at last?
High-grade romance energized by environmental awareness: not a toxic mix.Pub Date: July 19, 2005
ISBN: 0-7432-4644-6
Page Count: 368
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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