The novel’s foregone conclusion does little to help a narrow plotline to expand.
Delinsky (The Secret Between Us, 2008, etc.), mining the same emotional field as Jodi Picoult, stumbles in this slow-moving account of two sisters, one of whom is in a coma.
The Snow family defines itself thus: They are the family of a runner. Robin is a marathoner of Olympic potential (the tryouts are soon) and much of her adult life has been working toward this moment. She is the star, and her mother Kathryn and sister Molly have devoted a good portion of their lives to making Robin’s easier. Though Molly experiences intense bouts of jealousy and sadness that Robin is so clearly the favorite daughter, she nonetheless adores her older sister. One evening there is a call from the hospital to the house Molly and Robin share. The news is dire. At the hospital Molly finds Robin unconscious from a heart attack. A fellow runner found her cold body on the road, administered CPR and called an ambulance, but his act of kindness has inadvertently caused the Snow family’s most heartbreaking dilemma. Tests show that Robin is brain-dead, but Kathryn refuses to accept that her daughter, a lifelong fighter, is defeated. Molly too is crushed, but instead of a bedside vigil, she wants answers. She finds Robin’s journal and soon all secrets are revealed: Robin was diagnosed with an enlarged heart, which she inherited from her real father (Kathryn was pregnant when she met Charlie, but he raised her as his own). There are a number of subplots: Molly begins to develop a relationship with David, the runner who found Robin; David, a high-school teacher, suspects one of his students is anorexic; brother Chris is being blackmailed by an employee Molly fired from the family’s nursery. Yet none of this is able to spark the narrative to life—a week of tears and hard decisions about organ donation and ending life support is certainly emotionally fertile, but in Delinsky’s hands it feels overwrought and predictable.
The novel’s foregone conclusion does little to help a narrow plotline to expand.Pub Date: Feb. 17, 2009
ISBN: 978-0-385-52492-6
Page Count: 368
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2008
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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