by Barbara Ebel ‧ RELEASE DATE: Dec. 7, 2016
At its best as a drama, with a protagonist whose distressing professional and personal lives in and out of the hospital...
The patients in a medical student’s psychiatry rotation have a variety of diagnoses, some more dangerous than others, in this thriller.
Having completed one third-year medical school clinical rotation in surgery, Dr. Annabel Tilson will next be seeing patients in the psych ward. There are certainly more risks involved, as attending physician, Dr. Selina Keeton, quickly points out. The students, for one, should avoid the common practice of shaking the patient’s hand when entering the room. Annabel’s first patient is Victor Blake, a 23-year-old man cops picked up after he scared people at a movie theater, screaming about nonexistent snakes on the screen. Fortunately, not everyone is as intimidating as Victor, a paranoid schizophrenic. Annabel and her fellow student/pal Bob Palmer see people with all sorts of afflictions, from depressed, suicidal Eugene Wells to precariously thin, anorexic teenager Lillie Carter. Meanwhile, Annabel, still hung up on a man who didn’t reciprocate her romantic feelings, opts for “sexual flings” courtesy of dating app Findar. Though typically cautious when meeting her dates (a public place is ideal), Annabel may get herself in trouble by being a little less prudent. Back at the hospital, a recently discharged patient, once off prescribed meds, could very well turn into an unmitigated menace. Physician and author Ebel’s (Dead Still, 2016, etc.) expertise in the medical field is unmistakable: the story’s many patient cases are diverse and enthralling. Haley Morris, for example, another teen girl like Lillie, has an entirely different problem: she may be contemplating suicide from merciless cyberbullying. At the same time, the relationship between Annabel and Bob is surprisingly multilayered. The two have been close friends since they were on the surgery rotation together. But though it’s clear Annabel wants nothing more than friendship, she’s annoyed by and perhaps jealous of Bob spending time with med student Karla Weaver. There are a few jolts, like patients taking sudden turns for the worse. The final act, however, in which one individual could potentially become violent, happens so late in the story that there’s no room for suspense to generate before the novel ends.
At its best as a drama, with a protagonist whose distressing professional and personal lives in and out of the hospital produce a gripping tale.Pub Date: Dec. 7, 2016
ISBN: 978-0-9977225-1-2
Page Count: 264
Publisher: CreateSpace
Review Posted Online: Feb. 3, 2017
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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