Ideal for readers seeking to delve deeply into Renoir’s personality; those seeking critical assessments of the individual...
An in-depth biography of the French impressionist painter.
White (Impressionists Side by Side: Their Friendships, Rivalries, and Artistic Exchanges, 1996, etc.) is one of the leading authorities on the life and work of Pierre-Auguste Renoir (1841-1919), “one of the greatest and most creative artists who ever lived.” Here, the author offers an “intimate” look into his life, a narrative fueled by her amassing a cache of more than 3,000 letters. Many are from the families of Renoir’s illegitimate daughter, Jeanne, and his three sons, including the great film director Jean (whose own biography of his father White calls “historical fiction”), as well as from fellow artists. They shed particular light on his relationships with key women in his life, especially his wife, female models, and fellow artist Berthe Morisot. In workmanlike prose, White moves forward in seven chronological sections, each representing specific phases of Renoir’s career. Throughout, the author presents Renoir as an “inspiring and heroic individual who overcame daunting obstacles.” In his early years, he experienced great poverty; when he finally began to find success, he became afflicted with paralyzing rheumatoid arthritis, which turned his fingers and hands into gnarled fists. He would have a brush tied between his fingers so he could continue to paint and smoke his beloved cigarettes, both of which he did relentlessly. Renoir created 4,019 paintings and hundreds of pastels and drawings. He was “complex, maddeningly ambivalent, yet endearing,” but he could also be “secretive, shrewd and even sneaky.” Though the writing is often dry, White does a fine job of tracing the phases of his career. His work—“permeated with the freedom and joie de vivre of the Impressionists, fused with a classical search for balanced compositions and form”—inspired many painters, including Matisse and Picasso (they almost met).
Ideal for readers seeking to delve deeply into Renoir’s personality; those seeking critical assessments of the individual works should look elsewhere.Pub Date: Oct. 17, 2017
ISBN: 978-0-500-23957-5
Page Count: 456
Publisher: Thames & Hudson
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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