Youthful passions still burn strong as Esstman (The Other Anna, not reviewed), in a second novel that tries hard to tug the heartstrings but only occasionally succeeds, profiles a woman who finds the courage to reclaim her life after losing her son. Set on a farm on the banks of the Missouri River shortly after WW II, the story limns in self-consciously lyrical prose a woman's belated discovery, in the aftermath of a tragedy, of unsuspected strengths and middle-aged passion, making this a sort of Bridges of Madison County with a happy ending. When 16-year-old Simon is thrown by his mother's favorite horse, Zad, and dies, the Mahler family, never very cohesive anyway, falls apart. Events before and after the tragedy are recalled and analyzed by family members, as well as by Ozzie Kline, the wrangler who has loved horses—and Nora—since he and she were both teenagers. Nora, who was especially close to her son Simon, breaks down completely; husband Neal has her hospitalized and subjected to electric shock treatment. He also shoots Zad, sends the remaining horses away, and tries to sell the farm, though it's been in Nora's family for 70 years. Ozzie, who'd been working on the farm, disappears after the accident but soon returns to help Nora, who refuses to give up the farm. While Nora slowly recovers, Neal, using daughter Clea as a pawn, continues his verbal abuse of Nora: Refusing to give her a divorce, he threatens to hospitalize her again. But Nora, with her mother's and Ozzie's help, finds the strength to stand up to him and choose the kind of life she loves—working with horses—and finally admit her enduring love for Ozzie. One of those reassuring it's never-too-late-to-live-and-love- stories that will resonate with aging boomers and 40-plus romantics. (First printing of 75,000; $75,000 ad/promo)
Pub Date: Sept. 1, 1997
ISBN: 0-15-100288-6
Page Count: 352
Publisher: Harcourt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 1997
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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