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LONDON LOVERS

Name: LONDON LOVERS
Author: Barbara Hardy
ISBN: 0-7206-0964-X

by Barbara Hardy ‧ RELEASE DATE: July 17, 1996

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Described as a narrative experiment, this wildly compelling novel ostensibly depicts the tender passion of an adulterous love affair, though in the end it becomes clear that it's also a highly original meditation on the tenuous links binding fact and fiction. At the heart of this work by Hardy, a noted Welsh-born scholar of Victorian fiction and author of the memoir Swansea Girl (not reviewed), is Florence Jones, a noted scholar of Victorian fiction and a Swansea girl herself. Hardy's first-person narrative, real, convincing, clearly heartfelt, continually implies not artifice but the depths of reality. Part of the authenticity is derived from the style—zig-zag tangents of memory that take us through Florence's 15-year romance with an American professor in Oxford. Mick, whose wife is deteriorating from multiple sclerosis, meets the independent, sexually adventurous Florence and falls in love. The affair the two nourish, described in touching and candid detail, has a bold sentimentality about it, more suggestive of Victorian devotion than of an illicit liaison. It ends with Mick's untimely death. Laced throughout the narrative are moments from Florence's past—pre-Mick—of Charlie, her Welsh soulmate but unreliable husband, Mel and Timmy, her in-between lovers, and family and friends who rush by in a seemingly random fashion, until the structure, sound as any scholarly work, shines through: The heading for each chapter is the starting point for a lifetime of memories in that category, offering a varied view of Florence through the ages. Added to the structural acrobatics is the thinly veiled autobiographical novel Florence is writing about her affair with Mick, completing Hardy's circle, audaciously teasing the boundaries between the fictional and the real. Above and beyond its ambitious structure, this polished novel of sex, love, and literature is poignant and engagingly romantic.

Pub Date: July 17, 1996

ISBN: 0-7206-0964-X

Page Count: 208

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1996

Categories:

GENERAL FICTION

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

GENERAL FICTION

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DISTANT SHORES

by Kristin Hannah ‧ RELEASE DATE: July 1, 2002

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

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Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).