by Barbara Holland ‧ RELEASE DATE: March 1, 2005
With not much about sex but a lot about gender, here’s an acute narrative of how the clever Holland came to be so writerly.
Essayist and incidental feminist Holland (They Went Whistling, 2001, etc.) turns septuagenarian and, perforce, autobiographical, recounting the story of her first 18 years.
Caught by the pigtails, Holland’s childhood history recalls the nation’s capital during WWII, when kids were on the alert for Luftwaffe intruders and Nazi spies. It was a time when children had little more than one another for entertainment. Cuisine was standard American white bread. School was an enemy camp, and grownups were a mystery for young Barbara. Mom went barefoot and kept her nose in a book, Grandmother was a Socialist and adept at poker, and siblings were mostly an annoyance. Occupying Dad’s chair was a cold, even terrifying, stepfather. Our author displayed a preternatural attentiveness to her surroundings (as she still does). The knack of reading came to her fully formed, like an epiphany, and so did the writer’s calling. With her considerable analysis, Holland covers every variety of experience from mid-century—her discovery of books, adventurous dreams, powerful hopes and fears, dimwitted teachers, race, war, cursive handwriting, radio and—especially—the inviolable rules of belonging to one’s own gender. Boys ruled. “It was unseemly for a woman of any age to sit on leather,” we learn, “and almost indecent for a girl.” Beyond simple elegiac recollection, Holland’s memoir includes much awareness of rigidly assigned gender-based roles. Eventually, though, this little touch of Grover’s Corners in the night passes. The spirit of Holland’s youth fades away and a solemn, pensive childhood crashes down as this smart coming-of-age text comes to an end. It’s all credible and persuasive, for, as Holland notes, “gelatinous” memory, once written down, “turns to stone, right or wrong, a fact.”
With not much about sex but a lot about gender, here’s an acute narrative of how the clever Holland came to be so writerly.Pub Date: March 1, 2005
ISBN: 1-58234-525-2
Page Count: 320
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2005
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by Oliver Sacks ‧ RELEASE DATE: Nov. 24, 2015
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A...
Valediction from the late neurologist and writer Sacks (On the Move: A Life, 2015, etc.).
In this set of four short essays, much-forwarded opinion pieces from the New York Times, the author ponders illness, specifically the metastatic cancer that spread from eye to liver and in doing so foreclosed any possibility of treatment. His brief reflections on that unfortunate development give way to, yes, gratitude as he examines the good things that he has experienced over what, in the end, turned out to be a rather long life after all, lasting 82 years. To be sure, Sacks has regrets about leaving the world, not least of them not being around to see “a thousand…breakthroughs in the physical and biological sciences,” as well as the night sky sprinkled with stars and the yellow legal pads on which he worked sprinkled with words. Sacks works a few familiar tropes and elaborates others. Charmingly, he reflects on his habit since childhood of associating each year of his life with the element of corresponding atomic weight on the periodic table; given polonium’s “intense, murderous radioactivity,” then perhaps 84 isn’t all that it’s cut out to be. There are some glaring repetitions here, unfortunate given the intense brevity of this book, such as his twice citing Nathaniel Hawthorne’s call to revel in “intercourse with the world”—no, not that kind. Yet his thoughts overall—while not as soul-stirringly inspirational as the similar reflections of Randy Pausch or as bent on chasing down the story as Christopher Hitchens’ last book—are shaped into an austere beauty, as when Sacks writes of being able in his final moments to “see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts.”
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A fitting, lovely farewell.Pub Date: Nov. 24, 2015
ISBN: 978-0-451-49293-7
Page Count: 64
Publisher: Knopf
Review Posted Online: Oct. 31, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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by Glennon Doyle ‧ RELEASE DATE: March 10, 2020
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.
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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.
In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.Pub Date: March 10, 2020
ISBN: 978-1-9848-0125-8
Page Count: 352
Publisher: Dial Books
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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