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GROWING UP AWAY FROM HOME

A brief, fascinating look at the virtues and vices of wanderlust.

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In her memoir, Hyatt recounts her experiences traveling peripatetically for years with her family.

Debut author Hyatt was born and raised in California and graduated from UC Berkeley in 1950 with a degree in zoology. She landed a position as a lab technician at the Atomic Energy Commission while her soon-to-be husband, Pete, was drafted into the Korean War. In 1951 they wed and moved to Virginia, where he was stationed. Pete was hired by United States Rubber International—a company with interests all over the world—and in 1956, after a stint in New York, they moved to Guatemala with their two young daughters. That trip launched years of breakneck travel across three continents, including stays in El Salvador, Iran, Brazil, Peru, and Colombia. There was never a shortage of hurdles to clear—unfamiliar languages, radically divergent cultures, and a host of logistical problems, including finding adequate health care and education for the children. In some cases, political unrest and violence loomed over them as grim realities. While in Colombia, a family the author befriended was subjected to the kidnapping and ransoming of their son. There was also family conflict—Pete’s parents strenuously objected to their grandchildren being moved to Tehran. The sometimes-exciting but also alienating effects of serial dislocation finally took their toll on Hyatt’s marriage, which ultimately ended in divorce. The author often supplements her narrative with letters she wrote at the time to her mother, which are like little epistolary time capsules. And while the focus of the remembrance is personal and familial, the historical backdrop often referenced is the Cold War and the way geopolitical circumstances affected this band of expatriates. The author writes in clear, accessible prose and is impressively forthcoming. Also, the memoir is a kind of historical travelogue, vividly depicting quarters of the world not always traveled by Westerners. Hyatt’s work is not a philosophically minded retrospective, and so the reader looking for more in-depth commentary on world affairs, or even her own life, might be disappointed. Interspersed throughout the book are black-and-white photographs chronicling the author’s travels, some of them grainy from age and most of them personal.

A brief, fascinating look at the virtues and vices of wanderlust.

Pub Date: Jan. 9, 2017

ISBN: 978-0-692-81386-7

Page Count: 166

Publisher: Chris Culler

Review Posted Online: Oct. 15, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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