THE DEAD LEAVES

A poignantly affectionate tribute to an emotionally absent father that won Mexico's 1987 Villaurrutia Prize for Jacobs (born to an American father and Mexican mother). In a childishly chatty voice—speaking as ``we'' on behalf of her siblings—one of the grown daughters of a kind, idealistic but disillusioned man recalls growing up in Mexico and making family visits to Lebanese-American relatives in the US. She pieces together their father's youthful experiences in Greenwich Village and the Soviet Union, his membership in the Communist Party, and his wartime service with the anti-Fascist Abraham Lincoln Brigade during the Spanish Civil War—a background that led to his leaving the US and being labeled a subversive. Though Pap† hardly speaks to his children, they accept his withdrawal into books with good humor; they prefer him to any other father they know. When conflict emerges between their parents, they momentarily feel that their ``souls had started dividing into two not so equal halves...and there was no possible bridge capable of ever joining them...[but] this wasn't what happened; these were just fears that we ourselves had dreamed up....'' The children long to serenade their father with a song—``Pap† we need you, Pap† we love you''—but he isn't interested in music, and so they never do. Jacobs is quite un-American in her approach to the subject: no blame, no whining, no self-pity. With charm and humor, her narrator vividly evokes the world of her family, expressing yearning love in the medium that can best reach her isolated father—a book.

Pub Date: July 1, 1993

ISBN: 1-880684-08-X

Page Count: 128

Publisher: Curbstone Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 1993

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An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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