JITTERBUG JAM

“Not going to bed. Now nor never.” Sure that there’s a scary boy lurking beneath his bed, little monster Bobo hides in a cupboard, until a story from comfortingly massive Boo-Dad, about how he once met a (shudder) girl, teases him out. Hicks gives the tale a fluent country cadence, folding in colorful turns of phrase while dropping the occasional auxiliary or “be” verb, and in a style that echoes Barbara McClintock’s neoclassicism, Deacon depicts a family of droopy-horned, not very frightening monsters in a cozy, familiar domestic setting. When Bobo actually does find a red-headed lad beneath the bed—visiting from the other side of the closet—rather than curl up in terror, he takes Boo-Dad’s advice to grin and make friendly overtures. In no time, the two young ’uns are chatting companionably. Far and away the best reversal of Mercer Mayer’s elemental There’s a Monster in My Closet premise since Robert L. Crowe’s Clyde Monster (1976), and Jeanne Willis’s Monster Bed (1986), this will have younger readers, timorous or otherwise, flocking to it “quick as lickety-split ’n’ spit-fish.” (Picture book. 5-8)

Pub Date: March 11, 2005

ISBN: 0-374-33685-7

Page Count: 40

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2005

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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The message is worthy, but this phoned-in follow-up doesn’t add anything significant.

THE WORLD NEEDS MORE PURPLE SCHOOLS

From the My Purple World series

A color-themed vision of what school should be like.

In what amounts to a rehash of The World Needs More Purple People (2020), Bell and Hart address adult as well as young readers to explain what “curious and kind you” can do to make school, or for that matter the universe, a better place. Again culminating in the vague but familiar “JUST. BE. YOU!” the program remains much the same—including asking questions both “universe-sized” (“Could you make a burrito larger than a garbage truck?”) and “smaller, people-sized” (i.e., personal), working hard to learn and make things, offering praise and encouragement, speaking up and out, laughing together, and listening to others. In the illustrations, light-skinned, blond-haired narrator Penny poses amid a busy, open-mouthed, diverse cast that includes a child wearing a hijab and one who uses a wheelchair. Wiseman opts to show fewer grown-ups here, but the children are the same as in the earlier book, and a scene showing two figures blowing chocolate milk out of their noses essentially recycles a visual joke from the previous outing. (This book was reviewed digitally.)

The message is worthy, but this phoned-in follow-up doesn’t add anything significant. (Picture book. 6-8)

Pub Date: June 21, 2022

ISBN: 978-0-593-43490-1

Page Count: 40

Publisher: Random House

Review Posted Online: April 27, 2022

Kirkus Reviews Issue: May 15, 2022

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