Uneven verse and thin explanation don’t carry this telling of a recent, relevant historical outrage.

37 DAYS AT SEA

ABOARD THE M.S. ST. LOUIS, 1939

An 11-year-old refugee just wants to start fresh in the United States after her flight from Nazi Germany on the St. Louis.

Ruthie Arons misses her dog, her grandmother, and her home in Breslau. But her family’s been ordered to leave Germany, so Ruthie and her parents are America-bound. On the St. Louis, all passengers are European Jewish refugees, and the crew are White Germans. Although it’s 1939, many of the crew are not Nazis, and the captain tries to make things as decent for the passengers as he can. The free-verse chapters recounting Ruthie’s journey vary in quality; many read like prose broken into short lines, filler between more artfully crafted poems. They’re most successful when they focus tightly on Ruthie: the pranks she and her friend play on the passengers and crew or the surreal vision of refugees fleeing on a cruise liner complete with a pool, shuffleboard, and movies. Less successful are the poems peppered with true details from the tragic voyage of the real St. Louis—a ship that the United States, disgracefully, turned back to Europe, where nearly a third of the passengers were murdered by Nazis. Ruthie is not very interested with these adult events and thus describes them without context, background, or emotional punch.

Uneven verse and thin explanation don’t carry this telling of a recent, relevant historical outrage. (historical note, timeline, reading list) (Historical fiction. 9-11)

Pub Date: May 1, 2021

ISBN: 978-1-5415-7912-5

Page Count: 168

Publisher: Kar-Ben

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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Contrived at some points, polemic at others, but a stout defense of the right to read.

BAN THIS BOOK

A shy fourth-grader leads the revolt when censors decimate her North Carolina school’s library.

In a tale that is dominated but not overwhelmed by its agenda, Gratz takes Amy Anne, a young black bibliophile, from the devastating discovery that her beloved From the Mixed-up Files of Mrs. Basil E. Frankweiler has been removed from the library at the behest of Mrs. Spencer, a despised classmate’s mom, to a qualified defense of intellectual freedom at a school board meeting: “Nobody has the right to tell you what books you can and can’t read except your parents.” Meanwhile, as more books vanish, Amy Anne sets up a secret lending library of banned titles in her locker—a ploy that eventually gets her briefly suspended by the same unsympathetic principal who fires the school’s doctorate-holding white librarian for defiantly inviting Dav Pilkey in for an author visit. Characters frequently serve as mouthpieces for either side, sometimes deadly serious and other times tongue-in-cheek (“I don’t know about you guys, but ever since I read Wait Till Helen Comes, I’ve been thinking about worshipping Satan”). Indeed, Amy Anne’s narrative is positively laced with real titles that have been banned or challenged and further enticing teasers for them.

Contrived at some points, polemic at others, but a stout defense of the right to read. (discussion guide) (Fiction. 9-11)

Pub Date: Aug. 29, 2017

ISBN: 978-0-7653-8556-7

Page Count: 256

Publisher: Starscape/Tom Doherty

Review Posted Online: June 4, 2017

Kirkus Reviews Issue: June 15, 2017

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However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

TUCK EVERLASTING

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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