Set against scenes of early 20th-century Paris, this engaging, reverse cumulative story follows a girl and her young brother when she picks him up from school. Adèle cautions Simon, “Try not to lose anything today.” But at each stop, Simon loses something: his cat drawing at the grocer’s, his school books when he climbs a tree, his scarf in the natural history museum, a glove at the outdoor puppet show, his hat at the parade, his crayons in the art museum and his knapsack in the pastry shop. Each item is subtly hidden in the pen-and-ink illustrations and unsurprisingly, they are all returned to Simon at the end. This delightful combination of Where’s Waldo, Arthur Geisert–like chain reactions and delicate, fine lines that richly detail the scenes is as enjoyable as a chocolate croissant. Attention has been paid to every design detail from the endpaper maps taken from the 1907 edition of Baedeker’s Paris and Environs (with the location of the ten lost items noted), to a salute to Madeline, to comic touches like a dog wearing Simon’s coat, to the two-page legend that describes each actual Parisian site and location. Très magnifique! (Picture book. 5-8)
Pub Date: Sept. 7, 2006
ISBN: 0-374-38044-9
Page Count: 40
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
A nicely inventive little morality “tail” for newly independent readers.
Two little rats decide to show the world how tough they are, with unpredictable results.
Louie and Ralphie Ratso want to be just like their single dad, Big Lou: tough! They know that “tough” means doing mean things to other animals, like stealing Chad Badgerton’s hat. Chad Badgerton is a big badger, so taking that hat from him proves that Louie and Ralphie are just as tough as they want to be. However, it turns out that Louie and Ralphie have just done a good deed instead of a bad one: Chad Badgerton had taken that hat from little Tiny Crawley, a mouse, so when Tiny reclaims it, they are celebrated for goodness rather than toughness. Sadly, every attempt Louie and Ralphie make at doing mean things somehow turns nice. What’s a little boy rat supposed to do to be tough? Plus, they worry about what their dad will say when he finds out how good they’ve been. But wait! Maybe their dad has some other ideas? LaReau keeps the action high and completely appropriate for readers embarking on chapter books. Each of the first six chapters features a new, failed attempt by Louie and Ralphie to be mean, and the final, seventh chapter resolves everything nicely. The humor springs from their foiled efforts and their reactions to their failures. Myers’ sprightly grayscale drawings capture action and characters and add humorous details, such as the Ratsos’ “unwelcome” mat.
A nicely inventive little morality “tail” for newly independent readers. (Fiction. 5-8)Pub Date: Aug. 2, 2016
ISBN: 978-0-7636-7636-0
Page Count: 64
Publisher: Candlewick
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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