by Barbara McClintock ; illustrated by Barbara McClintock ‧ RELEASE DATE: Oct. 25, 2016
A pleasurable way to explore China, complete with insightful author’s notes for each locale in the backmatter.
Sometime around the turn of the 20th century, two white French children, Adèle and Simon, journey throughout historical China with their photographer uncle, Sidney.
Before they set off, Uncle Sidney buys the two travelers gifts, including a camera for Adèle and an abacus, a scroll, knapsack, and other items for Simon. The illustrated list of objects proves helpful later on. As they travel from place to place, Adèle writes postcards to her mama about the many sights they see as well as cataloging the gifts that Simon loses along the way. But, as Adèle’s photographs later reveal, each object was there all along. Much as in the popular search-and-find book Where’s Waldo, readers can search for Simon’s lost objects among the teeming double-page illustrations of 11 diverse locales. These include detailed renderings, done in McClintock’s trademark, vibrant pen-and-ink–and-watercolor style, of a bustling marketplace in Peking, a complex of monasteries in the Wudang Mountains, and the sprawling carved hillsides in southern China. With the children’s route outlined in red, the opening period map of China provides great perspective on how vast and varied this country was and still is. Since this is a historical view of China, many of the Chinese men wear queues, which can lead to further conversations with young readers.
A pleasurable way to explore China, complete with insightful author’s notes for each locale in the backmatter. (Picture book. 4-10)Pub Date: Oct. 25, 2016
ISBN: 978-0-374-39923-8
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 25, 2016
Kirkus Reviews Issue: Aug. 15, 2016
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by Monica Clark-Robinson ; illustrated by Frank Morrison ‧ RELEASE DATE: Jan. 2, 2018
A powerful retrospective glimpse at a key event.
A vibrantly illustrated account of the Birmingham Children’s Crusade through the eyes of a young girl who volunteers to participate.
Morrison’s signature style depicts each black child throughout the book as a distinct individual; on the endpapers, children hold signs that collectively create a “Civil Rights and the Children’s Crusade” timeline, placing the events of the book in the context of the greater movement. When Dr. Martin Luther King Jr. comes to speak at her church, a girl and her brother volunteer to march in their parents’ stead. The narrative succinctly explains why the Children’s Crusade was a necessary logistical move, one that children and parents made with careful consideration and despite fear. Lines of text (“Let the children march. / They will lead the way // The path may be long and / troubled, but I’m gonna walk on!”) are placed within the illustrations in bold swoops for emphasis. Morrison’s powerful use of perspective makes his beautiful oil paintings even more dynamic and conveys the intensity of the situations depicted, including the children’s being arrested, hosed, and jailed. The child crusaders, regardless of how badly they’re treated, never lose their dignity, which the art conveys flawlessly. While the children win the day, such details as the Confederate flag subtly connect the struggle to the current day.
A powerful retrospective glimpse at a key event. (timeline, afterword, artist’s statement, quote sources, bibliography) (Picture book. 5-9)Pub Date: Jan. 2, 2018
ISBN: 978-0-544-70452-7
Page Count: 40
Publisher: HMH Books
Review Posted Online: Oct. 15, 2017
Kirkus Reviews Issue: Nov. 1, 2017
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by Geronimo Stilton & illustrated by Geronimo Stilton ‧ RELEASE DATE: Jan. 1, 2013
Warp back in time for a prehistoric spinoff adventure with Geronimo Stilton’s ancestor, Geronimo Stiltonoot, in Old Mouse City.
Readers will find Geronimo Stiltonoot a familiar character, outfitted differently from descendant Stilton yet still running a newspaper and having wild adventures. In this introduction to prehistoric mouse life, someone has stolen the most powerful and important artifact housed by the Old Mouse City Mouseum: the Stone of Fire. It’s up to Stiltonoot and his fellow sleuth and friend, Hercule Poirat, to uncover not only the theft, but a dangerous plot that jeopardizes all of Old Mouse City. As stand-ins for the rest of the Stilton cast, Stiltonoot has in common with Stilton a cousin named Trap, a sister named Thea and a nephew named Benjamin. The slapstick comedy and design, busy with type changes and color, will be familiar for Stilton readers. The world is fictionalized for comedic effect, featuring funny uses for dinosaurs and cheeky references to how far back in time they are, with only the occasional sidebar that presents facts. The story takes a bit long to get started, spending a lot of time reiterating the worldbuilding information laid out before the first chapter. But once it does start, it is an adventure Stilton readers will enjoy. Geronimo Stiltonoot has the right combination of familiarity and newness to satisfy Stilton fans. (Fiction. 6-10)
Pub Date: Jan. 1, 2013
ISBN: 978-0-545-44774-4
Page Count: 128
Publisher: Scholastic
Review Posted Online: Nov. 13, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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