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A HISTORY OF SILENCE

From British author Neil (The Possession of Delia Sutherland, 1994, etc.), a subtle and mostly satisfying approach to a well-worn topic—child abuse and, here, its devastating effect on two sisters. Responsible Robbie, pining to escape her family, decides to leave London for a temporary post as physical therapist to a stroke victim in Louisiana. And just in time: Barely two weeks before her departure, her older sister Laura, plainly beaten up, made a midnight appearance at Robbie’s flat with her young son Will in tow and their doddering mother Esther soon to follow. Janvier, the estate outside New Orleans where Robbie flees, is an idyllic paradise and home to the patient Raoul, a charismatic bon vivant who takes an immediate liking to Robbie and integrates her into his southern clan: Patrick, his divorced nephew; Patrick’s two emotionally wounded children; and the devoted domestic staff. As a birthday surprise for Robbie, Raoul and Patrick send for Esther and the beautiful Laura, who charms the children and bewitches Patrick. In an unsuspected turn of events, Laura and Esther stay on at Janvier while Robbie returns to her practice in London. Meanwhile, Laura, married to Patrick, is transformed: her masochistic tendencies and the suppressed memories of the past fade as she ascends into perfect motherhood. But, still, their —history of silence— will prove Laura and Robbie’s undoing. Vague memories of their childhood haunt Robbie, for example: when, bitter at being abandoned by her husband for “the woman Jane,” Esther sought to burden Jane by sending her two girls to stay with their father, despite her (correct) assumption that they were being sexually abused there. Now, Laura begins to crumble, bringing Robbie to her side, but too late—as we learn in a moving if strangely abrupt denouement. Instead of dwelling on the salient details of childhood abuse, Neil focuses on its lingering damage, in an affecting narrative about the long arm of the past.

Pub Date: Sept. 15, 1998

ISBN: 0-385-49178-6

Page Count: 352

Publisher: Nan A. Talese

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1998

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LITTLE FAITH

The novelist loves this land and these characters, with their enduring values amid a way of life that seems to be dying.

A heartland novel that evokes the possibility of everyday miracles.

The third novel by Wisconsin author Butler (Beneath the Bonfire, 2015, etc.) shows that he knows this terrain inside out, in terms of tone and theme as well as geography. Nothing much happens in this small town in western Wisconsin, not far from the river that serves as the border with Minnesota, which attracts some tourism in the summer but otherwise seems to exist outside of time. The seasons change, but any other changes are probably for the worse—local businesses can’t survive the competition of big-box stores, local kids move elsewhere when they grow up, local churches see their congregations dwindle. Sixty-five-year-old Lyle Hovde and his wife, Peg, have lived here all their lives; they were married in the same church where he was baptized and where he’s sure his funeral will be. His friends have been friends since boyhood; he had the same job at an appliance store where he fixed what they sold until the store closed. Then he retired, or semiretired, as he found a new routine as the only employee at an apple orchard, where the aging owners are less concerned with making money than with being good stewards of the Earth. The novel is like a favorite flannel shirt, relaxed and comfortable, well-crafted even as it deals with issues of life and death, faith and doubt that Lyle somehow takes in stride. He and Peg lost their only child when he was just a few months old, a tragedy which shook his faith even as he maintained his rituals. He and Peg subsequently adopted a baby daughter, Shiloh, through what might seem in retrospect like a miracle (it certainly didn’t seem to involve any of the complications and paperwork that adoptions typically involve). Shiloh was a rebellious child who left as soon as she could and has now returned home with her 5-year-old son, Isaac. Grandparenting gives Lyle another chance to experience what he missed with his own son, yet drama ensues when Shiloh falls for a charismatic evangelist who might be a cult leader (and he’s a stranger to these parts, so he can’t be much good). Though the plot builds toward a dramatic climax, it ends with more of a quiet epiphany.

The novelist loves this land and these characters, with their enduring values amid a way of life that seems to be dying.

Pub Date: March 5, 2019

ISBN: 978-0-06-246971-7

Page Count: 336

Publisher: Ecco/HarperCollins

Review Posted Online: Dec. 10, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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HOMEGOING

A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.

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A novel of sharply drawn character studies immersed in more than 250 hard, transformative years in the African-American diaspora.

Gyasi’s debut novel opens in the mid-1700s in what is now Ghana, as tribal rivalries are exploited by British and Dutch colonists and slave traders. The daughter of one tribal leader marries a British man for financial expediency, then learns that the “castle” he governs is a holding dungeon for slaves. (When she asks what’s held there, she’s told “cargo.”) The narrative soon alternates chapters between the Ghanans and their American descendants up through the present day. On either side of the Atlantic, the tale is often one of racism, degradation, and loss: a slave on an Alabama plantation is whipped “until the blood on the ground is high enough to bathe a baby”; a freedman in Baltimore fears being sent back South with the passage of the Fugitive Slave Act; a Ghanan woman is driven mad from the abuse of a missionary and her husband’s injury in a tribal war; a woman in Harlem is increasingly distanced from (and then humiliated by) her husband, who passes as white. Gyasi is a deeply empathetic writer, and each of the novel’s 14 chapters is a savvy character portrait that reveals the impact of racism from multiple perspectives. It lacks the sweep that its premise implies, though: while the characters share a bloodline, and a gold-flecked stone appears throughout the book as a symbolic connector, the novel is more a well-made linked story collection than a complex epic. Yet Gyasi plainly has the talent to pull that off: “I will be my own nation,” one woman tells a British suitor early on, and the author understands both the necessity of that defiance and how hard it is to follow through on it.

A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.

Pub Date: June 7, 2016

ISBN: 978-1-101-94713-5

Page Count: 320

Publisher: Knopf

Review Posted Online: March 1, 2016

Kirkus Reviews Issue: March 15, 2016

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