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SUMMER OF RESCUE

The characters in this subtle, beautifully crafted first novel are both believable and likable. Nelson has peopled a small Arizona town with complex, well-meaning souls who illustrate the drama of daily life. Clare has agreed to act as musical director for a show celebrating the centennial of Mirage—her aptly named hometown. This stirs up the quiet existence of the 40-year-old wife of Paul and mother of 15-year-old Jeanine, although the summer promises to be an emotional one anyway. Jeanine has her first serious boyfriend, and Clare and Paul watch uncertainly as she lurches toward womanhood. The end of the summer will bring Clare's parents' anniversary party at the same lake cabin where Clare and Paul's son Michael drowned when he was 5. In addition, Nate—the 30-year-old choreographer of the centennial show who has just broken up with his longtime girlfriend—has confided in Clare that he would like to be her lover. When the show's director has a heart attack, Clare and Nate take over together. Their relationship grows closer and more precarious, and several illicit kisses are exchanged. Particularly crystalline are the passages where Clare watches Jeanine maturing and at the same time reminisces about her own early sexual experiences and curiosities, and expresses surprise over her daughter's vast knowledge of intimate matters. When Clare visits the library, hoping to find a book that will help her discuss sex with Jeanine, she recalls that she tried the same thing when her daughter was 10. ``The text was intended to connect with young adolescents, but instead slid down that merciless precipice that leads to the final resting place of the uncool cool.'' Nelson consistently captures the right amount of fear, resignation, and sometimes a tinge of jealousy, in Clare's thoughts. Fine, understated domestic fiction in the best sense. (First serial to Redbook)

Pub Date: May 1, 1994

ISBN: 1-878448-58-7

Page Count: 307

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1994

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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