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PLAY OF SHADOWS

A brisk and clever whodunit with chills and verve.

A quartet of sleuths pursues a Machiavellian killer who calls himself the Minotaur.

After attending a bookstore reading of Edith Hamilton's Mythology, a budding serial killer who calls himself the Minotaur follows two audience members to begin a campaign of carnage. His first victim, attorney Samuel Fishbourne, is found sliced nearly in half near a wall marked with black-and-white artwork; shortly before he died, he’d left a cryptic letter full of hieroglyphs on the doorstep of brilliant Dr. Evan Wilding, professor of semiotics, linguistics, and paleography at the University of Chicago. Evan’s archeologist brother, River, who happens to be visiting, assists in the ensuing investigation. Nickless’ ambitious third Evan Wilding mystery folds Greek mythology and the deciphering of puzzling clues into a lively plot. Fishbourne’s daughter, Ursula, is taken captive by the Minotaur, and her short chapters alternate with those from several other perspectives. Deciphering the message that Fishbourne left for Evan—“Solve the riddle before the sacrifice is made”—is only the first step in finding the Minotaur. As the case reveals its complexity, Evan and River team up with Det. Addie Bisset, Evan’s best friend and unrequited love, and Diana Alanis, his research assistant. The camaraderie of the four investigators gives the story a buoyant energy complemented by the interesting details Nickless tucks into her depictions of characters across the board. Evan’s hawk, Ginny, and his pooch, Perro, are stalwart sidekicks.

A brisk and clever whodunit with chills and verve.

Pub Date: Nov. 14, 2023

ISBN: 9781662509988

Page Count: 447

Publisher: Thomas & Mercer

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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A DEADLY EPISODE

Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.

Murder disrupts the filming of—what else?—The Word Is Murder, based on the first novel starring author Horowitz and his sometime partner, ex-copper Daniel Hawthorne.

With commendably dramatic timing, gofer Izzy Mays bursts into the middle of a pivotal shot on location at The Stade in Hastings to announce that Hawthorne’s been murdered. Of course, what she means (though Horowitz takes his time clarifying this ambiguity) is that David Caine, the rising star playing Hawthorne, has been fatally stabbed in the neck. Suspicion falls on James Aubrey, the agent Caine had just fired; Izzy, because Caine had caused her to be fired, too, though he ended up making his exit first; Ralph Seymour, the washed-up actor who’d returned from New Zealand to play Horowitz opposite Caine, his mortal enemy; and producer Teresa de León, who’s abruptly lost an important source of funding for the project; director Cy Truman; and screenwriter Shanika Harris, because why not? After Hawthorne builds meticulous hypothetical cases against several of these suspects, provoking Teresa’s apt rejoinder, “All those questions in the script and now you’re asking them for real,” he responds to Horowitz’s theory that he may have been the intended target after all by sharing a story from his early days as a private investigator in what ends up looking like the most elaborately extended red herring in the history of detective fiction. The two plots, past and present—or, to be more precise, past and present-day-adaptation-of-a-story-from-the-less-distant-past, are eventually woven together in ways only Horowitz’s most devoted fans will celebrate.

Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.

Pub Date: April 28, 2026

ISBN: 9780063305748

Page Count: 608

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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