Bradford has never really matched her A Woman of Substance (1979) in plot go-go and sentimental appeal. Here, again, is another eddy of love troubles among rich ciphers who circle limply at low speed. It's a good hundred pages into this biggie before the relationships among the personae are clarified. But center stage through it all is costume designer Rosie Madigan, who's been creating for film star Gavin Ambrose, an old friend. Gavin is about to launch a Napoleonic saga, which is handy for Rose since she has family in France: estranged nasty husband Guy; Guy's päre, the Comte Montfleurie, whom Rosie adores; and le Comte's widowed daughter-in-law and her children. As for action in France: there'll be one death, one divorce, one match-making. But, then, back in America, there'll also be a love blasting into Rosie's life— popular ``balladeer,'' Johnny Fortune, from a devoted Mafia family, is jolted with interest when Rosie admires his English Regency dessert stands and his George III candlesticks. Johnny's agent is Nell (another old friend), who's involved with none other than Kevin, Rosie's brother and an undercover NYPD cop. And guess whom he's out to smash? (Poor Johnny has never known what his uncles do for a living.) Never seen is Rosie's sister Sunny, gonzo on drugs and institutionalized, and Mikey, gone forever but where? Meanwhile, since everyone is gold-plated or famous already, it's love and more love that's the game. But can Rosie find happiness with a singing idol? Bradford latches onto detail like a terrier, so it's not surprising that the sex scenes are miracles of painstaking exposition, with the occasional prÇcis: ``Their mouths were locked; they were welded together.'' Compared to peers like Steel and Krantz, Bradford is all elbows—but count on her rep to nudge this creaking craft up the charts.
Pub Date: May 9, 1993
ISBN: 0-394-55959-2
Page Count: 416
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1993
IN THE NEWS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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