The tenth romantic leviathan from Bradford (Everything to Gain, 1994, etc.), now with more than a bit of mystery thrown in. What could have caused the suicide (or was it murder?) of world-renowned philanthropist Sebastian Locke, head of Locke Industries? Four narrators, intimately involved with the case, agonize and confide in handsome places in New York, Connecticut, and city-and-wine-country France. Vivienne, a journalist and one of Sebastian's five former wives, had lunch with the handsome billionaire just days before his death. Then he'd seemed sublimely happy as he announced his plans to remarry, this time to a research scientist in Africa. Vivienne and Sebastian's own divorce had been amicable; she'd fallen in love with Sebastian, then her mother's lover, when she was 12 and had married him ten years later. And even post-divorce Vivienne still loved Sebastian, though his children, Jack and Luciana, were obsessed at opposite poles: Jack's early resentment of his father (Jack adored Vivienne's mother, killed in a cellar-stairs fall) was ruining Sebastian's love life; and Luciana, though worshiping her father, still chafed at what she considered her minor role in Locke Industries. All are baffled and bewildered by the death. It isn't until Vivienne, in Paris, hears the shocking tale of dying, elderly Zoe, the Countess of Grenaille (nÇe Mary Ellen Rafferty of New Jersey), that the mystery of Sebastian's demise is solved. By end, calm and sweet reason prevail for all the disaffected. Bradford is ill at ease in the mystery frame: Her red herrings are whale-size, her solution enterprisingly cuckooa Rube Goldberg invention. But, still, all the Bradford stylistic pontoonsgarrulous smoothies holding forth in luxurious settingskeep this afloat for the waiting fans. (Literary Guild main selection; $250,000 ad/promo; author tour)

Pub Date: Aug. 1, 1995

ISBN: 0-06-017722-5

Page Count: 352

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 1, 1995

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Another success for the publishing phenom.


An abused boy fights back, escapes, then returns as an attorney to his beloved hometown, but just as he’s falling in love with a transplanted landscaper, a series of attacks from shadowy enemies jeopardizes their happiness.

“From the outside, the house in Lakeview Terrace looked perfect.” Which of course means that it wasn't. We're introduced to the horrifying Dr. Graham Bigelow, who beats his wife and, increasingly as the boy gets older, his son, Zane. On the night of Zane’s prom, a particularly savage attack puts him and his sister in the hospital, and his father blames Zane, landing him in jail. Then his sister stands up for him, enlisting the aid of their aunt, and everything changes, mainly due to Zane’s secret diaries. Nearly 20 years later, Zane leaves a successful career as a lawyer to return to Lakeview, where his aunt and sister live with their families, deciding to hang a shingle as a small-town lawyer. Then he meets Darby McCray, the landscaper who’s recently relocated and taken the town by storm, starting with the transformation of his family’s rental bungalows. The two are instantly intrigued by each other, but they move slowly into a relationship neither is looking for. Darby has a violent past of her own, so she is more than willing to take on the risk of antagonizing a boorish local family when she and Zane help an abused wife. Suddenly Zane and Darby face one attack after another, and even as they grow ever closer under the pressure, the dangers become more insidious. Roberts’ latest title feels a little long and the story is slightly cumbersome, but her greatest strength is in making the reader feel connected to her characters, so “unnecessary details” can also charm and engage.

Another success for the publishing phenom.

Pub Date: July 9, 2019

ISBN: 978-1-250-20709-8

Page Count: 448

Publisher: St. Martin's

Review Posted Online: April 14, 2019

Kirkus Reviews Issue: May 1, 2019

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This thriller about the pursuit of a serial killer suffers from an unpleasant hero and a glacial pace.


An FBI agent is determined to catch a man who bilks and murders wealthy women, but the chase goes slowly.

Brown (Tailspin, 2018, etc.) has published 70 bestsellers, and this one employs her usual template of thriller spiked with romance. Its main character, Drex Easton, is an FBI agent in pursuit of a serial killer, but for him it’s personal. When he was a boy, his mother left him and his father for another man, Weston Graham. Drex believes Graham murdered her and that he has killed at least seven more women after emptying their bank accounts. Now he thinks he has the clever Graham—current alias Jasper Ford—in his sights, and he’s willing to put his career at risk to catch him. The women Ford targets are wealthy, and his new prey is no exception—except that, uncharacteristically, he has married her. Talia Ford proves to be a complication for Drex, who instantly falls in lust with her even though he’s not at all sure she isn’t her husband's accomplice. Posing as a would-be novelist, Drex moves into an apartment next door to the Fords’ posh home and tries to ingratiate himself, but tensions rise immediately—Jasper is suspicious, and Talia has mixed feelings about Drex's flirtatious behavior. When Talia’s fun-loving friend Elaine Conner turns up dead after a cruise on her yacht and Jasper disappears, Drex and Talia become allies. There are a few action sequences and fewer sex scenes, but the novel’s pace bogs down repeatedly in long, mundane conversations. Drex's two FBI agent sidekicks are more interesting characters than he is; Drex himself is such a caricature of a macho man, so heedless of ethics, and so aggressive toward women that it’s tough to see him as a good guy. Brown adds a couple of implausible twists at the very end that make him seem almost as untrustworthy as Graham.

This thriller about the pursuit of a serial killer suffers from an unpleasant hero and a glacial pace.

Pub Date: Aug. 6, 2019

ISBN: 978-1-4555-7219-9

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: July 28, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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