Despite a few mild threats, nothing to suggest any actual lions in this den.
The second in Bradford’s House of Falconer series about a retail dynasty.
By 1889, James Falconer, soon to turn 21, has made himself indispensable to commerce impresario Henry Malvern while dreaming of founding his own retail empire. As in the first installment, Master of His Fate (2018), James’ extended family is still warm and supportive. The decor of every dwelling, be it ever so bourgeois, is still lavishly detailed. And James is still exhibiting his preference for older women. His lover Mrs. Ward, age 31, left London for health reasons, but now there is Irina, age 22, fetching great-granddaughter of a Russian ambassador. One senses immediately, despite their speedy progress from attraction to a perfunctory “insert sex scene here,” that Irina is just a place holder—until James and Alexis, Henry’s daughter, between whom an attraction has been brewing since Master, can resolve their differences. Which seem to have mostly to do with competition for her father’s good graces. To Alexis' extreme resentment, James has effectively usurped her status as Malvern’s chief deputy since Alexis has chosen to remain, grieving, in the Kentish cottage her late fiance, Sebastian Trevalian, built for her before his untimely demise. While avoiding her own family, Alexis is still involved with Sebastian’s clan, which inhabits the large Trevalian country estate nearby—and she’s hurt when the Trevalians avert a potential scandal, involving an unwed mother, without her help. Too often, such misunderstandings take the place of actual conflict. The mystery of who hired thugs to attack James and a friend, left dangling in Vol. I, is also too abruptly solved here. As the undisputed heiress, however capriciously she treats her father, to the company James can only claim sweat equity in, Alexis is clearly a more suitable match for the budding tycoon. So of course they will end up together—it's just a matter of how much window dressing gets in the way.
Despite a few mild threats, nothing to suggest any actual lions in this den.Pub Date: Oct. 6, 2020
ISBN: 978-1-250-18742-0
Page Count: 352
Publisher: St. Martin's
Review Posted Online: March 29, 2020
Kirkus Reviews Issue: April 15, 2020
IN THE NEWS
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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