An Argentine banker disappears in a fiery plane crash just before his bank is shown to be missing 50 or so million dollars. Sorting through the financial and emotional wreckage, his newly pregnant wife finds that the banker had not completely shed his radical past. This time out, Victor (Friends, Lovers, Enemies, 1991; Misplaced Lives, 1990, etc.) successfully stirs politics into a dish of romantic thrills. When half-Argentine Coriander, a Brooklyn physician, fell in love with Danny Vidal, she was a student at the University of Cordoba, he was a handsome professor, and the loathsome colonels were snatching young people from the streets of Buenos Aires and failing to return them. Danny was at the heart of the revolutionary movement and would probably have made political use of Coriander, whose father was the American ambassador, had he not himself been swept away by her beauty. Their affair was aborted by the underground war, and Coriander went on to study and work in the US, living alone until Danny, now apparently a free-marketer, turned up as president of a Latin-Manhattan bank with marriage on his mind. The sexually stupendous Vidal match ends when Danny suddenly decamps for the Southern Hemisphere. His plane goes up in flames over Mexico, and Coriander believes him dead—until assistant district attorney Adam Singer breaks the news that her apparently late husband seemed to have looted his bank of all its capital. Coriander flies to Mexico, sees that what is supposed to be the largest chunk of her husband is not, and begins to work with Adam, who's fallen for her, to find out just what her husband was up to. The trail takes them all the way back to the 70's and Coriander learns that Danny never really gave up politics. What threatens to be a goopy, glitzy medical-soaper turns out to be a serious, largely successful political thriller.
Pub Date: April 1, 1993
ISBN: 1-55611-353-6
Page Count: 368
Publisher: Donald Fine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1993
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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