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GODDESS

Madonna is renowned for reinventing herself, and the author can’t quite keep up. The overdetermined, central motif...

Journalist Victor (The Lady, 1998, etc.) has clearly spent years conducting interviews and compiling quotes from secondary sources for her examination into the life of pop-goddess Madonna.

She’s also done her best to tell a story intriguing enough to be a compelling read without resorting to tabloid-style sleaze-mongering. Despite these efforts, Victor doesn’t quite manage more than to circle her subject without ever truly capturing the woman, in the process producing little more than a prolonged Behind the Music script. The author assembles some interesting interview subjects, notably Madonna’s maternal grandmother and several of the star’s jilted lovers. Unfortunately, she doesn’t know which vignettes to condense in her fractured, sometimes repetitive chronology. After spending too much time on Madonna’s childhood, she builds up steam with an in-depth look at the performer’s rise to stardom. But when the narrative gets around to Madonna’s life after achieving celebrity, it becomes increasingly mundane; there’s little here that hasn’t been told before, and tired tales about Sean Penn and Sandra Bernhard can’t be made fresh again simply by adding exclamation marks. To Victor’s credit, she avoids the temptation to sensationalize Madonna’s numerous sexual exploits, exploring the star’s erotic liaisons, lesbian affairs, and abortions in a matter-of-fact way. And in a few instances, the intimate details Victor reveals—about Madonna’s mentor Christopher Flynn, ex-lover Carlos Leon, and current husband Guy Ritchie—show great insight into the singer’s public persona. Yet in all the time Victor spends explaining why Madonna wanted to be a star, and what people helped her become a star, she never adequately explores what Madonna actually became famous for: singing.

Madonna is renowned for reinventing herself, and the author can’t quite keep up. The overdetermined, central motif here—Madonna as Eva Perón—is already outdated.

Pub Date: Nov. 6, 2001

ISBN: 0-06-019930-X

Page Count: 432

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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