With accustomed adroitness Tuchman meshes details political and personal, major and minor, into a strong narrative of General Stilwell's career and thirty-five years of U.S. China policy. The result leans toward biographical rather than political history. Stilwell was an egalitarian, commonsensical, high-humored officer; his idiosyncrasies, hatred of pretense and incumbent loneliness are captured in particular through acute selections from his literate, rather ribald diaries. As staff officer to the American occupation force in Shanghai, head of road-building teams of famine-stricken laborers, but especially as roving intelligence officer from 1934 to 1940, Vinegar Joe is at his exuberant best. But Stilwell's orientation toward tactical military situations, rather than the international political climate in which American policy was formed and conducted, creates a hitch in Tuchman's effort to use him to illuminate these policies. After providing considerable pre-World War II background, she is not at her descriptive best during the 1942-1945 high points of Stilwell's career, as he tries to make the Chinese army capable of stopping the Japanese. Press hero of the China-Burma theater, Stilwell is afforded only meager logistical support from U.S. air and ground forces, denied enough political support to arm-twist Chiang, burdened with consistent British shirking, and then ignominiously canned. Never disposed to tune in the political emanations from Washington and other headquarters, he doesn't try to analyze his defeat, and Tuchman falls down here too. As epilogue she asks wanly "What would have happened in postwar China if Stilwell had succeeded in reorganizing Chiang's armies?" Yet the surpassingly readable style and sensibility mobilized in her earlier works sustain the misfit heroics and suffice for high demand.
Pub Date: Feb. 15, 1970
ISBN: 0802138527
Page Count: 1342
Publisher: Macmillan
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Feb. 1, 1970
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
Graceful and deeply felt.
A collection of personal pieces, combined into an affecting memoir by longtime New Yorker editor Angell.
The author, a noted baseball writer (A Pitcher’s Story, 2001, etc.), has many intimate connections to the magazine Gardner Botsford once dubbed “The Comic Weekly,” in which most of these reminiscences originally appeared. His mother, Katherine, was the New Yorker’s fiction editor; years later, Angell held her former job—and occupied her office. His stepfather, E.B. White, was the magazine’s most important contributor during its most influential years. The memoir mostly concerns New Yorker colleagues and other remarkable people who have been a part of the author’s life. His father, lawyer Ernest Angell, lost Katherine to the younger White but over the years became a figure of immense importance to Roger. Angell loved his mother, loved White, loved his first wife (not much here about the cause of their 1960s divorce), loved his coworkers, loved his job. His portraits are really tributes, whether of the well-known William Maxwell, V.S. Pritchett, Harold Ross or William Shawn, or the lesser-known Botsford and Emily Hahn. Angell offers some New Yorker–insider tidbits (Ian Frazier mimicked Shawn’s voice so well that he could fool colleagues over the phone) and a bit more than you want to know about some of his aunts, one of whom wrote a book about Willa Cather. A dazzling story-within-a-story describes a 1940 round of golf with a mysterious woman who lost a valuable ring. The author seems uncertain how an iPod works but reveals an expertise with machine guns. His fickle memory frustrates and bemuses him. Sometimes he can recall only sensory images; sometimes the story unreeling in his mind skips, stops, fades, dissolves into something else. In several of his most appealing passages, he writes about the fictions that memory fashions.
Graceful and deeply felt.Pub Date: May 8, 2006
ISBN: 0-15-101350-0
Page Count: 304
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2006
IN THE NEWS
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