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TALKING TO THE DEAD

KATE AND MAGGIE FOX AND THE RISE OF SPIRITUALISM

Well-grounded social history.

A wide-ranging account that persuasively demonstrates that the Fox sisters’ role in the founding of modern spiritualism was more a reflection of mid-19th-century culture than an occult phenomenon.

Setting the story firmly in the context of their times, former TV producer Weisberg gives an informative history of a turbulent and fast-changing era. She begins in 1848, when the Maggie and Kate Fox, 14 and 11, respectively, still living with their parents in Hytheville, New York, claimed that they were able to speak to the dead. These claims resonated with thousands of people, and spiritualism became increasingly popular. Arguing that the Fox sisters’ influence was a product of a society in transition, the author offers numerous examples of such ongoing changes: the effects of the invention of the telegraph, evolving attitudes toward women, an expanding frontier, scientific discoveries that were calling into question aspects of conventional faith, and a growing belief in an afterlife without eternal damnation. More somberly, the mortality rate, especially for children, was still very high, and spiritualism appealed to grieving parents. Weisberg also relates how the sisters, soon famous, befriended reformers and abolitionists and began holding meeting in New York City, where they were taken up by luminaries like Horace Greeley. But by their 30s, they began to find the work onerous and, in the case of Maggie, shameful. Courted briefly by the noted Arctic explorer Elisha Kane, who disapproved of her work, Maggie admitted publicly in1888 that communication with the dead was impossible, though she later recanted. By then the movement was in decline, as better health care extended life and new technology changed thinking. The sisters both became alcoholics and died in poverty. Weisberg admits to being ambivalent about them, but suggests that they offered comfort in uncertain times.

Well-grounded social history.

Pub Date: April 13, 2004

ISBN: 0-06-056667-1

Page Count: 336

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 15, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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