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THE HOPE IN LEAVING

A MEMOIR

An unsentimentally candid memoir of hope and determination.

A Canadian-born actress’s account of how she survived—and then left—an impoverished and dysfunctional family.

When Williams was 24 years old, she decided to leave her hard-luck family to follow her dream of becoming an actress. But on the day of her departure, she discovered that her brother Randy had killed himself with a shotgun. In a narrative that moves between the events surrounding the aftermath of that death and her past, Williams tells the story of her troubled family. Her mother, Simone, was a trade school dropout who exchanged “a future vocation for immediate affection” with Jack, a hard-living, hard-drinking man who worked primarily as a logger and occasional day laborer. Throughout the author’s childhood and adolescence, the couple moved more than 25 times and had more children than they could afford. Over time, Jack took to living part-time with the family, causing even more instability. Poverty and injustice dogged them at every step as the relationship between Williams’ parents deteriorated and a desperate—and desperately unhappy—Simone tried to commit suicide. The one person in the family who seemed most affected by their problems was her sensitive, musically gifted brother Randy, who began hearing voices and cutting himself in his late teens. Though Williams herself showed musical promise as a singer, she dropped out of high school believing that “the [only] way to get ahead was to get to work.” However, her involvement in community theater brought her an opportunity to study drama at a theater school. Part of what makes this book so compelling is the tragic mirroring Williams depicts between herself and her brother, both of whom found liberation from their family but in radically different ways. Searingly honest, the book is a testimony to one woman’s resilience and ability to love in the face of unimaginable hardship.

An unsentimentally candid memoir of hope and determination.

Pub Date: March 15, 2016

ISBN: 978-1-60980-672-9

Page Count: 208

Publisher: Seven Stories

Review Posted Online: Dec. 19, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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