Nearly five crisis-packed decades in the lives of traditionally reared Egyptian women—complete with all the makings of a possible bestseller: a smooth-as-silk narration, a graceful approximation of the ritual concerns and courtesies of another culture, a few fightin' female hearts within the bonds of womanly repression, and the inevitable scandals, secrets, and forbidden loves within an upper-caste Cairo household. Heading the women's household of Dr. Ibraham Rasheed is his stately mother, Amira, whose firm upholding of the old ways of complete female subservience has had something to do with her past- -an early trauma not revealed until the close. In 1945, when the story begins, Ibraham, distraught at the death of his young wife in childbirth, curses God—but even more terrible is not being able to satisfy his dead father by siring a son. Ibraham adopts a baby boy, but fathers only daughters—among them his favorites, Yasmina, by his blond English wife Alice, and Camelia by his first wife. Meantime, Ibraham is personal physician to King Farouk, forced to abdicate in 1952, and is jailed for treason, while Amira raises and presides over her women, arranging marriages and comforting; eventually, it is she who not only obtains Ibraham's release but exposes a family enemy. Along the way, Yasmina, in a brutal and loveless marriage, is banished because—in a heroic effort to save the family—she is raped and thereby ``dishonors'' that family; and Camelia, sterile because of a face-saving operation, studies dancing with the famous Dahiba (another banished victim of ``honor''). Yasmina travels to California, becomes a doctor, marries, divorces, and finds true love, while at home there's a cholera epidemic, tragic and violent deaths, sad and happy pairings, and a few valiant stirrings of the female wish for liberation. A warmly gossipy family tale in an exotic setting—and, like most of Wood's novels (The Dreaming, 1991, etc.), spun off with ease and apparent pleasure in the telling. (First printing of 100,000)
Pub Date: June 1, 1993
ISBN: 0-679-41579-3
Page Count: 576
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
