From the author, most recently, of Doll's Eyes (1993): a mild horror novel loaded with domestic description, turnoff vulgarity, and banal writing. Wood is best known for Twins (1977), a novel adapted from real life and later filmed as Dead Ringers with Jeremy Irons in a grandly monstrous dual role as twin gynecologists. Set beside that triumph, The Basement is, well, the basement. For decades, Myra Fox Ludens has been famous among her circle of friends for putting up with the horrid, shivery, smelly basement of her fine Connecticut home. Now she's spent a small fortune to revamp it, get rid of every ghastly feature, and make it suitable for club meetings. Too bad she still can't go down there, even accompanied by her club, without the whole crew getting clammy and having to hustle back upstairs. When she finds out that the ground under her basement holds the 300-year-old bones of a witch hung on nearby Hillgate (``Hellgate'') Hill, who was refused churchyard burial and cast into a grave now under this house, Myra decides on exorcism, and she and some friends set forth to collect the arcane materials for a rite to drive out ghosts. This, however, only upsets the ghost, which apparently decides to reside in Myra herself. Suddenly Myra finds herself gifted with PK, or psychokinetic powers. When her blustery, vile neighbor offends her, Myra unknowingly calls down a plague of bees that sting him to death. Another bad guy, a wife- beater, is sucked to death by a plague of ticks. Wood misfires, however, when she has the novel's greatest menace reduced to a subplot about a hebephrenic woman who becomes possessed and goes on a rampage only Myra can stop. Some lively scenes here and there but largely a wax turkey stuffed with wax grapes.
Pub Date: April 27, 1995
ISBN: 0-688-13351-7
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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