by Barney Frank ‧ RELEASE DATE: March 17, 2015
Much more entertaining than most political memoirs, Frank’s story isn’t just revealing; it may be the most fun you can have...
Now that the fiery, occasionally dyspeptic congressman has left office, he lets the air out in a memoir that feels like it’s just the thing the long-serving politician has wanted to publish.
Frank tracks the nuances of two intriguing movements during his more than four decades in public life. When he was a novice politician in the late 1960s, the author had to hide his homosexuality, although nowadays—in a trend that owes some of its success to Frank’s becoming the first member of Congress to come out of the closet in 1987—same-sex marriage is increasingly prevalent. But while some personal freedoms are more possible now than when Frank entered politics, the concept that government can actually help citizens is decidedly on the wane. Nonetheless, the author has never stopped fighting the battle to pillory the idea that big government is inherently problematic. He writes movingly about issues of public housing and fairness that he has espoused throughout his career, but he also proves to be a barbed, exacting, witty thinker. On the topic of the “competent, uncharismatic” George Bush’s now infamous “read my lips: no new taxes” mishap, Frank writes, “[s]emantically, the phrase bothered me because it is illogical—you tell people to read your lips when they cannot hear you, and this does not apply when you are speaking to them through a microphone.” In addition to his personal story, parts of the book read like a manual for young politicians: “I think it is both legitimate and politically helpful to make my ideological opponents look not just wrong but also foolish, especially if I can use humor to do it.”
Much more entertaining than most political memoirs, Frank’s story isn’t just revealing; it may be the most fun you can have reading about the United States Congress.Pub Date: March 17, 2015
ISBN: 978-0-374-28030-7
Page Count: 400
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 20, 2015
Kirkus Reviews Issue: Feb. 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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