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THE EDEN PARADOX

Complex, involving, and well realized, though female characters are stereotypes.

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In this SF novel, sabotage, conspiracy, and malevolent aliens threaten a colonization mission.

Some 30 years from now, after global nuclear war, lingering radiation, nano-plague, and climate devastation from rocketing high temperatures, the Earth is in dire peril. Humanity must find a habitable planet, something made possible with recently developed faster-than-light spaceship technology and the discovery of Eden, a planet with forests, lakes, and a breathable atmosphere. Two previous missions have failed. Now the Ulysses is making a final possible attempt with a four-person crew: Capt. Blake Alexander, pilot Zachariah “Zack” Katain, science officer Pierre Bertrand, and Katrina “Kat” Beornwulf, communications. On Earth, Eden Mission Control monitors and supports them, led by Eden Mission Director Keiji Kane. As a telemetry analyst for the project, Micah Sanderson spends his days tracking the ship’s sensor information. He learns—from indications of tampering in the data streams and threatening events aboard ship—that someone has tried to sabotage their efforts. Perhaps this is why previous missions failed. It could be the work of the fundamentalist Alicians, terrorists and zealots who oppose technology, the postwar armistice, and the Eden project. The Chorazin Interpol, a powerful agency that is anti-terrorist but also ruthless toward citizens, investigates their involvement. The Sentinels, a shadowy group of trained assassins, or Cleansers, are yet another concern. One such Cleanser is Gabriel O’Donnell, tasked with carrying out deadly killings, their purpose at first unclear. On Earth, Kane’s assassination triggers dramatic events that endanger Micah; meanwhile, the astronauts manage to land on Eden, but all is not well. Startling discoveries on both planets indicate an ancient, long-hidden plan that could wreck humanity’s chances for survival with or without Eden.

Kirwan, who has also written several thrillers, turns his hand to SF in this first novel of a series of four. He’s adept at conjuring up a dense, convincingly three-dimensional universe packed with historical baggage, technology, politics, competing factions, conspiracies, and multiple agendas that extend beyond the terrestrial. Kirwan’s writing is crisp and vivid, whether describing taut battle scenes, unfamiliar technology, or interpersonal moments, often creating striking metaphors: “She felt an icy shiver abseil down her spine.” Even small details shine; cemeteries, for example, no longer exist, “every last scrap of decent soil used for crops.” Cremated remains are vitrified into a palm-sized “dusky glass teardrop,” a fitting and poignant image. As for the larger picture, the stakes simply couldn’t be higher, with the fate of all humanity in doubt. In many ways, Kirwan’s imagination seems boundless, so it’s unfortunate that his female characters feel like holdovers. The only ones in positions of authority are she-devils like Louise, a Chorazin agent. Others occupy assistant positions to more powerful men; adult women are condescendingly called girls; and the plot seemingly goes out of its way to sexualize female characters.

Complex, involving, and well realized, though female characters are stereotypes.

Pub Date: Feb. 4, 2019

ISBN: 978-1-79464-342-0

Page Count: 390

Publisher: Self

Review Posted Online: Feb. 4, 2021

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OPERATION BOUNCE HOUSE

A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.

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When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.

Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.

A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.

Pub Date: Feb. 10, 2026

ISBN: 9780593820308

Page Count: 448

Publisher: Ace/Berkley

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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ALL THAT WE SEE OR SEEM

Equal parts biting social commentary and page-turning thriller, a disturbing glimpse into humankind’s possible future.

The first installment of Liu’s Julia Z saga is an SF thriller set in a near-future “post-truth age” where the use of AI and the inundation of digital disinformation and data pollution have blurred the lines between delusion and reality.

Julia—whose immigrant mother, a divisive political activist, was murdered during a border protest—has lived on her own since she was 14. A brilliant hacker now 23, she’s been trying to live in online anonymity, acutely aware of the multitude of ways she can be identified and tracked. Living in a Boston suburb and struggling to make ends meet, she inadvertently becomes entangled with a lawyer named Piers Neri and his search for his artist wife, Elli Krantz—famous for her experimental work in vivid dreaming—who may or may not have been kidnapped. A prime suspect in his wife’s disappearance, Piers goes on the run with the help of Julia—and together, they begin putting together pieces of a mind-bogglingly intricate puzzle that links Elli to a powerful criminal with a global reach. As Julia digs deeper into the appeal of vivid dreaming and the criminal’s ruthless endeavors, she discovers the sham that is the American Dream: “America was corrupt and steeped in sin. The powerful had rigged the game for themselves and turned the country into a panopticon to imprison the rest of us. Anytime one of the powerless—it didn’t matter the color of your skin, the language you spoke, the place you were born in—was on the verge of climbing out, they would be ruthlessly tossed back into the pit.” And amid the backdrop of dealing with unresolved childhood trauma and the need to find her place in the world, she finds something unexpected—herself.

Equal parts biting social commentary and page-turning thriller, a disturbing glimpse into humankind’s possible future.

Pub Date: Oct. 14, 2025

ISBN: 9781668083178

Page Count: 416

Publisher: Saga/Simon & Schuster

Review Posted Online: Oct. 10, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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