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WHEN THE CHILDREN COME

Popcorn action-adventure and dark-edged SF that will enthrall readers.

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A haunted Afghan War veteran leads the resistance when a hostile extraterrestrial influence compels adults on Earth to kill children.

Thriller author Kirwan lights the fuse on a new SF series with a particularly gruesome twist on the alien-invasion theme. Nathan Sanders, formerly in the 25th Airborne in Afghanistan, is a New York City area war vet haunted by bad battleground memories, but he’s lucky enough on New Year’s Eve to hook up with the enticing Lara Engels. Their all-night sexual bliss is the reason they are among the few individuals who get no sleep. Those who experience substantial slumber awaken as the “infected,” somehow hypnotized into embarking on a single-minded mission to murder children—their own sons and daughters or any other kids they can find. The infected speak beatifically about how the “glorious children will come from the skies” and that they must make preparations. Joining new allies—including an entire cell of straight-out-of-Kabul heavily armed Taliban terrorists who had been preparing for a 9/11–style strike on the stateside American military until this new cataclysm took precedence—Nathan and Lara manage to put some of the pieces of the puzzle together while fighting to protect about 200 children they’ve gathered. It seems an alien spaceship is circling the planet, beaming out its lethal influence over humankind in advance of what seems to be an insidious ET conquest and colonization. It is up to Nathan in particular to find and unite the bewildered holdouts among the United States armed forces (and perhaps the world) and determine what they can possibly achieve in Earth’s defense. And they must stay awake all the time while doing it.

This is one of those easily-read-in-one-sitting, freight-train experiences, steered by a novelist who knows better than most how to sustain the tension and maintain momentum throughout. And a good thing, too, because any substantial pause might cause readers to ponder the outrageously far-fetched plot developments that place in Nathan’s orbit just the right people (including immensely beddable women) with ties to NASA, the Search for Extraterrestrial Intelligence, and U.S. naval installations, forming an instant brain trust to counteract the menace from the stars. And readers may note that the unlikely Taliban allies don’t seem to have a lot of Islamic or Quranic baggage as they prove themselves stalwart and up to the challenge of a desperate fight for the fate of the species. Characters are broadly but effectively drawn, and Nathan is one of those “ordinary” guys somehow pulling off superhuman accomplishments that have become the stock in trade of Bruce Willis movies. Despite the dire peril being heaped on them, the child characters aren’t thrown into too many cliffhanger situations, as is the usual pitfall in material like this. When Kirwan wide-angles the jeopardy outward, from the Eastern Seaboard to the whole planet, and then makes the leap to outer space, he covers ground in one volume that usually takes up a wide shelf full of blockbusters from more long-winded apocalypse writers. And in the end, he leaves his tantalized readers eager for the sequel. No wicked alien mind-control rays are required to keep the captives turning the pages.

Popcorn action-adventure and dark-edged SF that will enthrall readers.

Pub Date: Dec. 2, 2020

ISBN: 979-8-55-315638-1

Page Count: 294

Publisher: Self

Review Posted Online: Dec. 28, 2020

Kirkus Reviews Issue: Feb. 15, 2021

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OPERATION BOUNCE HOUSE

A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.

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When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.

Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.

A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.

Pub Date: Feb. 10, 2026

ISBN: 9780593820308

Page Count: 448

Publisher: Ace/Berkley

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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ALL THAT WE SEE OR SEEM

Equal parts biting social commentary and page-turning thriller, a disturbing glimpse into humankind’s possible future.

The first installment of Liu’s Julia Z saga is an SF thriller set in a near-future “post-truth age” where the use of AI and the inundation of digital disinformation and data pollution have blurred the lines between delusion and reality.

Julia—whose immigrant mother, a divisive political activist, was murdered during a border protest—has lived on her own since she was 14. A brilliant hacker now 23, she’s been trying to live in online anonymity, acutely aware of the multitude of ways she can be identified and tracked. Living in a Boston suburb and struggling to make ends meet, she inadvertently becomes entangled with a lawyer named Piers Neri and his search for his artist wife, Elli Krantz—famous for her experimental work in vivid dreaming—who may or may not have been kidnapped. A prime suspect in his wife’s disappearance, Piers goes on the run with the help of Julia—and together, they begin putting together pieces of a mind-bogglingly intricate puzzle that links Elli to a powerful criminal with a global reach. As Julia digs deeper into the appeal of vivid dreaming and the criminal’s ruthless endeavors, she discovers the sham that is the American Dream: “America was corrupt and steeped in sin. The powerful had rigged the game for themselves and turned the country into a panopticon to imprison the rest of us. Anytime one of the powerless—it didn’t matter the color of your skin, the language you spoke, the place you were born in—was on the verge of climbing out, they would be ruthlessly tossed back into the pit.” And amid the backdrop of dealing with unresolved childhood trauma and the need to find her place in the world, she finds something unexpected—herself.

Equal parts biting social commentary and page-turning thriller, a disturbing glimpse into humankind’s possible future.

Pub Date: Oct. 14, 2025

ISBN: 9781668083178

Page Count: 416

Publisher: Saga/Simon & Schuster

Review Posted Online: Oct. 10, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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