An adroitly handled, disturbing exposé, clearly relevant to discussions of the tactics of Trump and company.
by Barry Meier ‧ RELEASE DATE: March 2, 2021
The abrupt rise of corporatized spying in geopolitics and business, portrayed as a strange mix of journalistic ambition and Nixon-ian dirty tricks.
Meier, a two-time winner of the George Polk Award for International Reporting, assembles a worrying account with dry precision, concluding ominously, “the behavior of corporate intelligence firms has only become more predatory and abusive.” The labyrinthine narrative reveals a slick, high-stakes dark side to the proliferation of private intelligence firms via such flashpoints as the “Steele dossier” on Donald Trump and the “sleazy tactics” employed by Israeli firm Black Cube on behalf of Harvey Weinstein. Decrying “the oversized impact” of these private spies, the author circles back to a grim secret: “the big money is made not by exposing the truth but by papering it over or concealing it.” In his primary narrative thread, Meier tracks the startling journey of the anti-Trump dossier, starting with former journalist Glenn Simpson, founder of purportedly “ethical” investigative firm Fusion GPS, who contracted former British spy Christopher Steele to conduct the investigation. (Unsurprisingly, neither Simpson nor Steele agreed to speak with the author.) Even four years later, the account of the frantic push to publicize Steele’s memos before the 2016 election remains tense and startling. “Absent efforts by Glenn Simpson and Christopher Steele to pull the strings of journalists,” writes Meier, “it’s possible the public would have never learned about the dossier.” Still, the author calls the release of the document “a media clusterfuck of epic proportions, one that was the consequence of the long-metastasizing relationship between private spies and journalists.” Its impact and authenticity crumbled during the ensuing lawsuits, and the author concludes that Steele’s source was one of many “who had stumbled into the private spying business as a last resort.” Throughout, Meier’s considerable journalistic chops help him maintain control of numerous subnarratives and a cast of ruthless eccentrics.
An adroitly handled, disturbing exposé, clearly relevant to discussions of the tactics of Trump and company.Pub Date: March 2, 2021
ISBN: 978-0-06-295068-0
Page Count: 336
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 16, 2021
Kirkus Reviews Issue: Feb. 15, 2021
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 28, 2022
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by Brandon Stanton ; photographed by Brandon Stanton
by Matthew Desmond ‧ RELEASE DATE: March 21, 2023
A thoughtful program for eradicating poverty from the Pulitzer Prize–winning author of Evicted.
“America’s poverty is not for lack of resources,” writes Desmond. “We lack something else.” That something else is compassion, in part, but it’s also the lack of a social system that insists that everyone pull their weight—and that includes the corporations and wealthy individuals who, the IRS estimates, get away without paying upward of $1 trillion per year. Desmond, who grew up in modest circumstances and suffered poverty in young adulthood, points to the deleterious effects of being poor—among countless others, the precarity of health care and housing (with no meaningful controls on rent), lack of transportation, the constant threat of losing one’s job due to illness, and the need to care for dependent children. It does not help, Desmond adds, that so few working people are represented by unions or that Black Americans, even those who have followed the “three rules” (graduate from high school, get a full-time job, wait until marriage to have children), are far likelier to be poor than their White compatriots. Furthermore, so many full-time jobs are being recast as contracted, fire-at-will gigs, “not a break from the norm as much as an extension of it, a continuation of corporations finding new ways to limit their obligations to workers.” By Desmond’s reckoning, besides amending these conditions, it would not take a miracle to eliminate poverty: about $177 billion, which would help end hunger and homelessness and “make immense headway in driving down the many agonizing correlates of poverty, like violence, sickness, and despair.” These are matters requiring systemic reform, which will in turn require Americans to elect officials who will enact that reform. And all of us, the author urges, must become “poverty abolitionists…refusing to live as unwitting enemies of the poor.” Fortune 500 CEOs won’t like Desmond’s message for rewriting the social contract—which is precisely the point.
A clearly delineated guide to finally eradicate poverty in America.Pub Date: March 21, 2023
ISBN: 9780593239919
Page Count: 288
Publisher: Crown
Review Posted Online: Dec. 1, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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