Zesty anecdotes about family, marriage, and fatherhood combine with Hollywood gossip to make for an entertaining romp.
The director of The Addams Family and Men in Black tells all.
Sonnenfeld makes his debut as a memoirist with a brisk, funny recounting of his improbable rise to fame in the movie world. With a brief interlude as a cameraman for porn films—an experience he recalls in visceral detail—Sonnenfeld carved out a successful career as a cinematographer (Blood Simple, Raising Arizona), director of photography (Big, When Harry Met Sally), and movie and TV director (Addams Family Values, Get Shorty, and Pushing Daisies). The only child of a neurotic, manipulative mother who “had a very fluid relationship with the truth” and a philandering father, the young Barry was sexually abused by his mother’s first cousin, who lived with the family for a while. When Sonnenfeld confronted his parents about the abuse, they responded coolly: “don’t forget child molestation didn’t have the same stigma back then that it has now.” His mother smothered him with her fears, threatening to kill herself if he opted to go to a residential college, but she also encouraged him to go to film school when she saw that his career as a photographer was not taking off. Although his parents reneged on their offer to pay tuition—“Don’t be ridiculous. I would never say such a thing,” his mother exclaimed after he enrolled—NYU’s film school launched him into cinematography. Sonnenfeld offers a behind-the-scenes look at the many directors, producers, and actors with whom he worked. The Coen brothers, he writes, were “total novices” when they started filming Blood Simple, a low-budget movie that brought Sonnenfeld to the attention of Penny Marshall, who needed a cinematographer for Big. Sonnenfeld came to like Marshall despite her legendary indecisiveness and negativity; she balked at Sonnenfeld’s visual style and even Tom Hanks’ acting. The author was in the midst of filming When Harry Met Sally when volatile, unpredictable Scott Rudin summoned him to direct The Addams Family—after several other directors turned Rudin down.
Zesty anecdotes about family, marriage, and fatherhood combine with Hollywood gossip to make for an entertaining romp.Pub Date: March 10, 2020
ISBN: 978-0-316-41561-3
Page Count: 368
Publisher: Hachette
Review Posted Online: Nov. 19, 2019
Kirkus Reviews Issue: Dec. 15, 2019
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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