by Barry Unsworth ‧ RELEASE DATE: March 18, 2003
Nevertheless, a distinguished companion to such glorious excursions into the past as Sacred Hunger (1992) and Losing Nelson...
The world of Homeric epic and Euripidean tragedy is brought sharply to life in British master Unsworth’s gorgeously detailed, astute 14th novel.
An old story: Greek King Agamemnon agrees to a plan to sacrifice his daughter Iphigenia, a priestess of Artemis, to the goddess’s enemy Zeus, thereby reconciling the deities, and providing favorable winds that will enable Agamemnon’s ships to proceed across the Aegean Sea and wage war on Troy. Unsworth’s cleverly paced retelling focuses on key figures among the Greek militants: the indecisive, suggestible monarch; narcissistic, short-fused Achilles; senile elder Nestor (who had “lost his marbles long ago”); slow-witted extrovert Ajax; and especially crafty power politician Odysseus, whose sinister manipulations of his sovereign include persuading their army’s Blind Singer to insert propaganda messages into his lyrics. The latter’s frequent fatalistic interpolations acknowledge the harsh reality that “it is the stories told by the strong, the songs of the kings, that are believed in the end.” As events thus march toward their predetermined end, the ironies multiply—for, even though the winds have shifted without benefit of divine intervention, Odysseus reasons persuasively that the anticipated spectacle of the princess’s death should not be withheld from the troops, who must be kept together. This subtly fashioned tale compares favorably with Robert Graves’s classically based historical fiction (I, Claudius, etc.), though even readers amused by implied parallels to a potential US invasion of Iraq may raise eyebrows at Unsworth’s profligate use of contemporary slang and Orwellian doublespeak (for example, Odysseus’s warnings that Agamemnon must not be “marginalized” and that Iphigenia needs to be “incentivized”): at odd moments, there’s a Wag the Dog–like waggishness about it all.
Nevertheless, a distinguished companion to such glorious excursions into the past as Sacred Hunger (1992) and Losing Nelson (1999).Pub Date: March 18, 2003
ISBN: 0-385-50114-5
Page Count: 352
Publisher: Nan A. Talese
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
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by Roy Jacobsen ; translated by Don Bartlett & Don Shaw ‧ RELEASE DATE: April 7, 2020
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Roy Jacobsen ; translated by Don Bartlett & Don Shaw
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by Roy Jacobsen translated by Don Bartlett & Don Shaw
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by Roy Jacobsen & translated by Don Bartlett & Don Shaw
by Amor Towles ‧ RELEASE DATE: Sept. 6, 2016
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...
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Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.
Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility (2011).Pub Date: Sept. 6, 2016
ISBN: 978-0-670-02619-7
Page Count: 480
Publisher: Viking
Review Posted Online: June 20, 2016
Kirkus Reviews Issue: July 1, 2016
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edited by Amor Towles ; series editor: Otto Penzler
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