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GIZMO

Engineering becomes art in this sprightly tale of a huge but useless machine saved from the wrecking ball. Written in rhymed free verse, the tale opens with Professor Ludwig von Glink waking one morning with an idea for a perpetual-motion device. He’s wrong—but so entrancing is his mechanical gizmo that he decides “to work up some specs / and see if I can make this / mingle-mangle of intricate / jury-rigged gimcrackery / yet more complex.” Cheered on by his wife (dressed, as he is, in a lab coat) and five children, the Professor proceeds to wreath the entire house in gears and rods, pulleys, slides and pinwheels. Then a hard-nosed Building Inspector shows up. Using quick strokes of pen and brush, Briant creates buoyant, increasingly crowded cartoon scenes featuring a magnificent construct that almost conceals the house around and through which it snakes—and which is saved by the last minute appeal of the City Contemporary Art Museum’s strong-minded Director. Like another recent iteration of the theme, Dayle Ann Dodds’s Henry’s Amazing Machine (2004), illustrated by Kyrsten Brooker, the unusual language adds great read-aloud potential. (Picture book. 6-8)

Pub Date: May 1, 2007

ISBN: 978-1-59643-115-7

Page Count: 32

Publisher: Neal Porter/Roaring Brook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2007

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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BUBBA, THE COWBOY PRINCE

A FRACTURED TEXAS TALE

A Cinderella parody features the off-the-wall, whang-dang Texas hyperbole of Ketteman (The Year of No More Corn, 1993, etc.) and the insouciance of Warhola, who proves himself only too capable of creating a fairy godcow; that she's so appealingly whimsical makes it easy to accept the classic tale's inversions. The protagonist is Bubba, appropriately downtrodden and overworked by his wicked stepdaddy and loathsome brothers Dwayne and Milton, who spend their days bossing him around. The other half of the happy couple is Miz Lurleen, who owns ``the biggest spread west of the Brazos.'' She craves male companionship to help her work the place, ``and it wouldn't hurt if he was cute as a cow's ear, either.'' There are no surprises in this version except in the hilarious way the premise plays itself out and in Warhola's delightful visual surprises. When Lurleen tracks the bootless Bubba down, ``Dwayne and Milton and their wicked daddy threw chicken fits.'' Bubba and babe, hair as big as a Texas sun, ride off to a life of happy ranching, and readers will be proud to have been along for the courtship. (Picture book/folklore. 6-8)

Pub Date: Nov. 1, 1997

ISBN: 0-590-25506-1

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1997

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