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FORBIDDEN LOVE

An intriguing but uneven tale about two significant historical figures.

A Texas homestead inspires a debut historical romance about the interracial couple who originally settled there in the 1800s.

Sylvia Hector is born in Africa, the daughter of a queen and king, marked with an auspicious symbol of a blessing on her head. Shortly afterward, her parents are kidnapped by Portuguese “stealers” who transport them to America on a slave ship. Neither parent survives the voyage, but Koko, a mother onboard, adopts Sylvia and raises her as her own. Sylvia leads a relatively stable life since Koko is purchased for domestic work in Albany, New York. Sylvia is even educated alongside the family’s son. Meanwhile, John F. Webber of Vermont is working as a sales representative for “Debtor Furniture,” which is manufactured at the state’s debtor prison, when he travels to Albany to purchase lumber. He is taken with Sylvia’s beauty and intelligence, and they quickly begin courting. When he seeks to return to Vermont with her, the community brands their interracial relationship as an “immoral dalliance” involving a woman whose social status is that of a slave. Once Sylvia becomes pregnant, the couple decide to move somewhere they can be together without judgment, which means relocating outside the borders of the United States to the Texas Territory and building a home and settlement on what will become known as Webber’s Prairie. They will have 11 children and eventually wed in a ceremony, marking the first 19th-century mixed marriage. As the Texas Territory changes hands and wars are fought, the family survives and prospers. Kemp is the pen name of a husband-and-wife writing team. The authors drew inspiration from their Texas property’s notable history to create the novel’s promising premise. The opening passages recounting Sylvia’s birth and her parents’ deaths are emotionally powerful. And the book delivers rich details about the Webber family’s involvement in key historical events. But the tale sometimes reads more like a history lesson than a sweeping literary drama. The Webbers’ movements would be easier to follow with the inclusion of maps. In addition, the dialogue is often wooden and frequently utilizes distracting dialects. At one point, Koko tells Sylvia: “Oh, chil’, your mama was like da queen a’ Sheba. She loved ev’erbody an’ ev’erbody love her. But mos’ of all, she loved you more than anythin’ or anybody in the whole world.”

An intriguing but uneven tale about two significant historical figures.

Pub Date: Oct. 27, 2018

ISBN: 978-1-63363-349-0

Page Count: 264

Publisher: White Bird Publications

Review Posted Online: Nov. 28, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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