A novel of soaring ambitions, public and private.
A French engineer working on the construction of the Eiffel Tower meets a Glaswegian widow, and their romance is as risky as the tower project itself.
Émile Nouguier is second-in-command to Gustave Eiffel, designing the tower that will mark the centennial of the French Revolution at the World’s Fair of 1889. In 1886, construction of La Tour is just commencing. As her only surviving son, Émile has incurred his aging mother’s disapproval for choosing engineering over active management of the family glass factory. During a tour of the construction site by balloon, Émile meets Caitriona Wallace, 31, a widow who has accompanied, as chaperone, two Scottish young adults, Alice and Jamie, the cosseted niece and nephew of a wealthy, childless Glasgow civil engineer. Cait’s husband was killed in a bridge collapse, but the match would have been doomed by an incompatibility between the couple which Colin handles so discreetly that readers can only guess at its nature until the very end. Now, Cait’s only options are positions such as this one or remarriage, but so far only one rich but repulsive suitor has presented himself. The attraction between Émile and Cait is instant but it takes several chapters of hesitation as each gradually sheds his or her own nationality’s version of Victorian reticence. Émile’s mother is dying and has been urging him to marry soon and produce grandchildren before it's too late, but he knows she will never accept Cait, a foreigner. Meanwhile, his ex-mistress Gabrielle has embroiled herself with Alice and Jamie, abetting the Scottish innocents’ forays into the Parisian demimonde. Cait, oblivious to the full extent of her charges’ indiscretions, dreads confessing what she does suspect to her employer, since it will necessitate a return to Glasgow and her own bleak future. Colin has a sure hand with the atmospheres of both cities and with the mores and dress of the period, and she manages to continually raise the stakes for her characters without ever resorting to melodrama.
A novel of soaring ambitions, public and private.Pub Date: Nov. 29, 2016
ISBN: 978-1-250-07146-0
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: Aug. 30, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK REVIEW
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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