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THE SUMMER WIVES

With just the right touch of bitters, Williams (Cocoa Beach, 2017, etc.) mixes a satisfyingly tempestuous—and eminently...

Twenty years after a murder at her family’s tony Long Island Sound summer enclave, an expatriate actress returns to right a terrible injustice and heal her broken heart.

From June to August, generations of fishermen from Winthrop Island’s year-round Portuguese community have supplied the lobsters and occasional bootleg for bridge parties, weddings, golf tournaments, and other social occasions organized by the island’s patrician cottagers. Just as the locals steer carefully around summer people, the “purebloods” are ever mindful of subtle social gradations within their own set. As one of them, Isobel Fisher, remarks to her divorced father, Hugh, on the day of his wedding, “Thank God you’ve found a dear, lovely woman to marry…and not some gimlet goddess from the Club.” It’s 1951, and the Fishers are still regarded as new money (derived from an ancestor’s investment in toilets), their summer redoubt, Greyfriars, built on the less fashionable end of the island, next door to the lighthouse. If the summer crowd and locals are in perfect accord over one thing, it’s Isobel’s wild streak and too-close friendship with the lighthouse keeper’s handsome son, Joseph Vargas, while engaged to a scion of the old guard. As she tells her soon-to-be stepsister, Miranda Schuyler (who has her own thoughts about Joseph), “I haven’t got your brains, I’m afraid. I need a little action to keep me happy.” As in many Williams novels, there’s quite a bit of zigzagging though the 1930s, '50s, and '60s to fill in the characters’ backstories and milk the main plot intrigue: the murder of Hugh Fisher and a homicide verdict that’s fishier than a Fourth of July clambake. Eyebrows lift when the victim’s stepdaughter, Miranda, steps onto the island for the first time in decades. Since moving to Europe she’s become a successful actress, never mind the enormous shiner her movie-star sunglasses can’t quite conceal. To outward appearances, the salacious curiosity about her stepfather’s murder which drove her from the island has greatly faded. Even her dear, lovely mother and Isobel, still single (and sullen), appear to have moved on, converting Greyfriars into a glorified boardinghouse and calling it an artists’ colony. Meanwhile, the family of Joseph Vargas—the admitted killer sent to Sing Sing—is stone-faced about his recent prison escape and rumored sightings near the island. Helping Miranda in her effort to clear Joseph—whom she believes innocent, though she keeps her reasons close to the vest—are her rambunctious half brother, Hugh Jr., (born after their father's murder), the ladies boarding at Greyfriars, and old-shoe banker Clayton Monk, Isobel’s square, endearingly steady ex-flame. As Miranda’s Shakespearean namesake would say: "How many goodly creatures are there here! How beauteous mankind is! O brave new world, That has such people in't."

With just the right touch of bitters, Williams (Cocoa Beach, 2017, etc.) mixes a satisfyingly tempestuous—and eminently beachworthy—follow-up to her beloved Schuyler Sisters series.

Pub Date: July 10, 2018

ISBN: 978-0-06-266034-3

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: April 15, 2018

Kirkus Reviews Issue: May 1, 2018

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LIFE AND OTHER INCONVENIENCES

Funny, heart-wrenching, insightful, and lovely.

As her teenage daughter endures bullying from her former best friends, Emma gets a call from her rich grandmother—who threw her out when she became pregnant and hasn’t spoken to her since—asking them to spend time with her before she dies.

Despite a complicated and painful childhood, Emma London has clawed her way to a successful, happy life, living with her maternal grandfather in Chicago and raising her perfect, beautiful daughter, Riley. Things take an unexpected turn at the end of Riley’s junior year of high school, when her lifelong best friends turn on her, and Emma’s estranged paternal grandmother, Genevieve London—who owns a high-end fashion and lifestyle brand and is considered “a style icon and an industry leader”—asks her to bring Riley and spend the summer with her in Connecticut since she’s dying of cancer. After her mother died when she was 8, Emma lived with Genevieve for 10 years, until right after she graduated from high school and discovered she was pregnant. Genevieve hasn’t spoken to her since. At first Emma is determined not to head east, but once Riley’s former friends become abusive, she packs up and gets away with her daughter. The summer is full of shocking secrets, surprising twists, and unexpected grace. Despite their differences, Genevieve and Emma love each other fiercely, and once Emma understands what Genevieve is truly up against, she turns woman warrior on her behalf while also creating a new life for herself and Riley in the place she’d never expected to come back to. Higgins explores another set of deeply affecting topics using engaging characters and a full spectrum of realistic emotions: humor, anger, anguish, and pride, among others, but above all, hope.

Funny, heart-wrenching, insightful, and lovely.

Pub Date: Aug. 6, 2019

ISBN: 978-0-451-48942-5

Page Count: 448

Publisher: Berkley

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

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VIRGIL WANDER

Like Garrison Keillor on hallucinogens, this novel has a lot more imagination than coherence.

Minnesota novelist Enger (So Brave, Young, and Handsome, 2008, etc.) takes readers on a magical mystery tour of a fictional town on the shores of Lake Superior, near Duluth.

One of the subplots of this parable about the rebirth of both the titular narrator and his North Shore hometown concerns a minor-league prospect who had one moment of glory that he was never able to equal. An eccentric young pitcher with a fastball so uncontrollable it had its own nickname—the “Mad Mouse”—he pitched a no-hitter and then disappeared into the ether. It’s easy to read that as a metaphor for the author himself, who made a bestselling breakthrough with his debut (Peace Like a River, 2001), wasn’t able to sustain a major-league reputation with his follow-up, and has now returned with his first novel in a decade—perhaps his most ambitious. Or at least his most overstuffed. Among its elements is the first-person narrator with the portentous name who has survived a near-death experience, plunging with his car into Lake Superior. And a kite-flying Nordic codger who has come in search of the son he never knew (the disappeared pitcher). And a pet raccoon named Genghis, half-domesticated, half-feral. And a homicidal sturgeon. And the wayward son of the town founder who has become a film director of disrepute and brings ill fortune to others by his very presence. And a mythically beautiful young mother and her son, who are hoping for the return of their Odysseus (again, the disappeared pitcher) but will perhaps find new love with Virgil. And an annual festival called Hard Luck Days to which the story builds and which eventually attracts regional son Bob Dylan (who proclaims the pie he is served “better than the Nobel”). There’s also a bomb. Virgil himself provides the best summary: “Why am I still surprised when it turns out there is more to the story?...A person never knows what is next—I don’t, anyway. The surface of everything is thinner than we know. A person can fall right through, without any warning at all.”

Like Garrison Keillor on hallucinogens, this novel has a lot more imagination than coherence.

Pub Date: Oct. 2, 2018

ISBN: 978-0-8021-2878-2

Page Count: 352

Publisher: Grove

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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