A fabulous story packed with detail that explores both the positive and damning effects of extreme faith in a way that feels...
In Garcia’s debut, the lives of two young girls in early 20th-century Madrid, N.M., are threatened when the combative powers of witchcraft and Catholic mysticism fight for supremacy with devastating consequences.
Garcia’s novel weaves between the lives of two very different young ladies: Salia, a witch raised on the outskirts of town by a selfish mother and an uncaring grandmother; and Marcelina, a Catholic girl plagued by tragedy and death. However different their upbringings and backgrounds, the two girls come together at strategic times in their lives to find solace and balance in one another after the damage they’ve suffered because of their faith. The first time they unite, it’s because Marcelina’s family has been cursed by a centuries-old witch who has risen from the ground and thirsts for blood. The action only ramps up from there. Through family deaths, personal suffering and even a few romantic encounters, the intertwining tales of Marcelina and Salia become incredibly riveting, even moving. The characters are both born into worlds that don’t understand them and, despite mistakes along the way, there is much they both need and learn from one another. With a killer twist near the end and supernatural folklore that feels grounded in reality, Garcia’s title is fluid and well-paced, never taking the audience’s attention for granted. The world the author creates is rich, lush and scary; supernatural fans will certainly appreciate the copious worldbuilding that went into this novel. There’s also a fair amount of gore in the book; death is often described in the most harrowing fashion possible. Though the book drags in places, once the dominoes start falling in the book’s final stages, readers won’t be able to put it down—especially after one character’s very disturbing return.
A fabulous story packed with detail that explores both the positive and damning effects of extreme faith in a way that feels both fresh and authentic.Pub Date: April 24, 2012
ISBN: 978-1466429796
Page Count: 368
Publisher: CreateSpace
Review Posted Online: April 2, 2012
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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