by Ben Blum ‧ RELEASE DATE: Sept. 12, 2017
A lighthearted romp à la Ocean’s Eleven it’s not, but Blum’s well-wrought account suggests that any crime is possible so...
A vigorous, empathetic chronicle of a crime foretold—or at least engendered, possibly, on a boot camp drill field.
Though the mostly peace-minded citizens of Tacoma, Washington, may not know it, the military-industrial complex looms large there, with a joint Air Force and Army base constituting the area’s largest employer by far. Blum tells the story of a group of four soldiers, including the author’s cousin, Alex, who donned blue jeans and ski masks and tried to boost a bank. The news of the subsequent arrest shocked the respectable, intellectually competitive Blum family. “Alex was the most squeaky-clean, patriotic, rule-respecting kid we knew,” writes the author, who digs into the case to tease out why an Army Ranger, part of a unit already under the spotlight for having tortured prisoners in Iraq, did something so transgressive. Among the theories the legal defense tested, he finds the notion that the heist was the result of a kind of brainwashing to be somewhat compelling, while the thought that the robbery was a training exercise isn’t as absurd as it might appear on the face: “As far as Alex was concerned,” one of his fellow soldiers says, “it wasn’t real.” In time, Blum looks closely at a charismatic leader who cooked up the scheme as an exercise in sociopathy and convinced his comrades to take part because it was cool and fun. “With him,” writes the author, memorably, “you could become Donkey Kong or Cobra Commander or Wile E. Coyote, swallowing a pound of TNT and exploding and reconstituting again in time to pant so hard at a passing pretty girl that your tongue spilled out onto the floor.” In the end, Blum writes, judge and jury did not accept any such Looney Tunes scenario, and how they arrived at their verdict affords the author some fine courtroom back and forth.
A lighthearted romp à la Ocean’s Eleven it’s not, but Blum’s well-wrought account suggests that any crime is possible so long as it’s made out to be a game.Pub Date: Sept. 12, 2017
ISBN: 978-0-385-53843-5
Page Count: 432
Publisher: Doubleday
Review Posted Online: June 12, 2017
Kirkus Reviews Issue: July 1, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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