A bulging, impressive, all-you-ever-wanted-to-know, you-are-there Martian odyssey, from the veteran writer-editor (Cyberbooks, Voyagers, etc.). In about the year 2020, a huge multinational project gets under way, the bulk of it seen through the eyes of young Navaho geologist and Mars-voyage hopeful Jamie Waterman. Unconcerned with traditional science-fictional plotting and melodrama, Bova focuses tightly on the day-to-day, nuts-and-bolts details: the inordinate amount of politicking necessary to get the project off the ground; the vital cooperation and occasional wrangling between the many participating nations (Russian pilots, American software, Japanese technology and money, plus a sprinkling of Europeans); the months of arduous training; more politicking as science and flight-crew teams are selected from the dozens of expectant trainees—Jamie gets the nod because geologist #1 falls ill, and the much-loathed #2 is forced out by his colleagues; the tensions that build up through long months in space. Neither does the exploration of Mars run smoothly. Stepping down onto the red sand, Jamie offends the powers-that-he by lapsing into Navaho instead of parroting a politically correct prepared speech; a British doctor, hot to seduce one of the female crew members, neglects his job; a meteorite shower nearly destroys the explorers' living quarters; Jamie persuades mission control to let him approach a cliff village he's convinced he finds; the explorers fall mysteriously ill; Jamie's Mars buggy falls into a dust bowl while his crew are too weak to haul themselves out. And, well, of course there's life on Mars! Technically accurate and absorbing if somewhat ponderous at times, with questions and answers reliably in balance: a dependable, satisfying foray into science realism.
Pub Date: June 15, 1992
ISBN: 055356241X
Page Count: 496
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1992
Suspenseful and snarky with surprising emotional depths.
This debut novel, the first of a projected trilogy, blends science fiction, fantasy, gothic chiller, and classic house-party mystery.
Gideon Nav, a foundling of mysterious antecedents, was not so much adopted as indentured by the Ninth House, a nearly extinct noble necromantic house. Trained to fight, she wants nothing more than to leave the place where everyone despises her and join the Cohort, the imperial military. But after her most recent escape attempt fails, she finally gets the opportunity to depart the planet. The heir and secret ruler of the Ninth House, the ruthless and prodigiously talented bone adept Harrowhark Nonagesimus, chooses Gideon to serve her as cavalier primary, a sworn bodyguard and aide de camp, when the undying Emperor summons Harrow to compete for a position as a Lyctor, an elite, near-immortal adviser. The decaying Canaan House on the planet of the absent Emperor holds dark secrets and deadly puzzles as well as a cheerfully enigmatic priest who provides only scant details about the nature of the competition...and at least one person dedicated to brutally slaughtering the competitors. Unsure of how to mix with the necromancers and cavaliers from the other Houses, Gideon must decide whom among them she can trust—and her doubts include her own necromancer, Harrow, whom she’s loathed since childhood. This intriguing genre stew works surprisingly well. The limited locations and narrow focus mean that the author doesn’t really have to explain how people not directly attached to a necromantic House or the military actually conduct daily life in the Empire; hopefully future installments will open up the author’s creative universe a bit more. The most interesting aspect of the novel turns out to be the prickly but intimate relationship between Gideon and Harrow, bound together by what appears at first to be simple hatred. But the challenges of Canaan House expose other layers, beginning with a peculiar but compelling mutual loyalty and continuing on to other, more complex feelings, ties, and shared fraught experiences.
Suspenseful and snarky with surprising emotional depths.Pub Date: Sept. 10, 2019
ISBN: 978-1-250-31319-5
Page Count: 448
Publisher: Tor
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
BOOK REVIEW
BOOK REVIEW
This brilliant bit of nihilism succeeds where so many self-described transgressive novels do not: It's dangerous because...
Brutal and relentless debut fiction takes anarcho-S&M chic to a whole new level—in a creepy, dystopic, confrontational novel that's also cynically smart and sharply written.
Palahniuk's insomniac narrator, a drone who works as a product recall coordinator, spends his free time crashing support groups for the dying. But his after-hours life changes for the weirder when he hooks up with Tyler Durden, a waiter and projectionist with plans to screw up the world—he's a "guerilla terrorist of the service industry." "Project Mayhem" seems taken from a page in The Anarchist Cookbook and starts small: Durden splices subliminal scenes of porno into family films and he spits into customers' soup. Things take off, though, when he begins the fight club—a gruesome late-night sport in which men beat each other up as partial initiation into Durden's bigger scheme: a supersecret strike group to carry out his wilder ideas. Durden finances his scheme with a soap-making business that secretly steals its main ingredient—the fat sucked from liposuction. Durden's cultlike groups spread like wildfire, his followers recognizable by their open wounds and scars. Seeking oblivion and self-destruction, the leader preaches anarchist fundamentalism: "Losing all hope was freedom," and "Everything is falling apart"—all of which is just his desperate attempt to get God's attention. As the narrator begins to reject Durden's revolution, he starts to realize that the legendary lunatic is just himself, or the part of himself that takes over when he falls asleep. Though he lands in heaven, which closely resembles a psycho ward, the narrator/Durden lives on in his flourishing clubs.
This brilliant bit of nihilism succeeds where so many self-described transgressive novels do not: It's dangerous because it's so compelling.Pub Date: Aug. 1, 1996
ISBN: 0-393-03976-5
Page Count: 192
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1996
BOOK TO SCREEN
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