ZOOLOGY

A young man finds unrequited love and loses a goat in Dolnick’s first novel.

When he flunks out of college, Henry Elinsky moves into his brother’s Manhattan apartment and takes a job at the Central Park Children’s Zoo. When he’s not tending pigs and sheep, he spends his time trying to get a girl named Margaret to fall in love with him. He also eats Reuben sandwiches and feels fat. Henry is self-absorbed, rather cowardly and not very bright, and his story heaves fitfully from merely tedious to actively unpleasant. Dolnick makes little use of the zoo and its denizens. It never seems that Henry works at the zoo because his creator made a conscious, artistic choice to put him there. It seems, instead, that Henry works at the zoo because that is where he happens to work, and one suspects that he happens to work there because Dolnick happened to once work at a zoo. To call this a coming-of-age novel is misleading, as the protagonist does not mature in any meaningful way. At the end of the story, he’s preparing to go off to college, which means he’s back where he was before the story began, and the narrative gives us no reason to think that Henry has grown emotionally or intellectually from his summer of shoveling animal excrement, pining for an unavailable girl and reading The Hunt for Red October. What the narrative provides instead is the image of Henry turning this unsatisfactory summer into an equally unsatisfactory record of that summer. Henry’s account of his months in New York doesn’t include much in the way of reflection or analysis, but it does include a depiction of the creation of that account. Perhaps it’s inevitable, in this memoir-laden age, that writing about one’s experience becomes not a method for processing it—understanding it, learning from it, transforming it—but, rather, a substitution for any such process.

A disheartening debut.

Pub Date: May 8, 2007

ISBN: 0-307-27915-4

Page Count: 304

Publisher: Vintage

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2007

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 6, 2014

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: April 30, 2018

Kirkus Reviews Issue: May 15, 2018

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