A tender, sometimes funny memoir by a son of Chinese immigrants who became a writer and Rolling Stone editor. Fong-Torres (Hickory Wind, 1991) got his unusual name—``the greatest by-line in the world,'' one colleague said—from his father, who bought a Filipino birth certificate to circumvent immigration laws. Growing up in Oakland's Chinatown in the 1950s, the author and his siblings worked in the family restaurant (hence the title) and were sent to learn Chinese culture after school, ``but my heart was elsewhere.'' Mad magazine and Elvis Americanized him, and he became a high school writer and stage cut-up. At San Francisco State, he was a DJ and newspaperman, and found himself, in the midst of mid-60's turmoil. In between tales of his siblings and their attempts to leave the nest, Fong-Torres tells amusing, if somewhat overwrought, stories of his romantic struggles with Asian and non-Asian women. He got his Rolling Stone ``dream job'' shortly after it began in 1967 and also moonlighted on a Chinatown paper. Though Fong-Torres tells a few anecdotes about the likes of Janis Joplin and Ray Charles, he mostly skates over his rock experiences. Rather, he recounts the tragedy of older brother Barry, a youth worker killed in a 1972 Chinatown gang war, and his own effort to grow close to his reticent parents, interviewing them before his 1982 trip to China to work on a documentary. Fong-Torres concludes that his parents' Chinese ways actually produced hard-working, decent children. An enjoyable, thought-provoking tale of family ties and cultural identity, but rock 'n' roll fans may be frustrated by the author's emphases.
Pub Date: April 14, 1994
ISBN: 0-7868-6002-2
Page Count: 272
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1994
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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