Those who are already fans will appreciate the few revelations here.
An eclectic Los Angeles rock band of the 1970s that deserved a much larger following isn’t likely to reach one through this serviceable biography.
The first book ever about Little Feat leaves little doubt that this was a singular band—hailed by the likes of Jimmy Buffett, Bonnie Raitt and even the Rolling Stones as arguably the best ever. Yet the biographical minutiae and recording details gathered here fail to capture the magic that would elevate a band whose members didn’t get along into a unit that was so much more than the sum of the parts. To be fair to veteran rock journalist Fong-Torres (Eagles: Taking It to the Limit, 2011, etc.), there are a number of challenges facing anyone trying to tell this story: memories blurred by drugs and time, differing perspectives, the creative relationship of the rest of the band to its talented, tormented frontman, Lowell George. “The story of Little Feat is the story of Lowell George—that’s not in debate,” writes the author. “But it is also the story of the other guys who made up the original quartet and who, from the beginning, helped create the music and set the tone of Little Feat.” It’s actually as much the story of those who joined the band after that original quartet (only one of whom is still making music), pushing the band’s music away from its native LA and more toward the great American South (particularly New Orleans). But the book is mainly about George, who could be both charming and duplicitous, genius and difficult, and who had either quit the band or was fired when he died (under somewhat mysterious circumstances) in 1979 at age 34. The band eventually soldiered on for longer without George than the tumultuous decade with him, but his death let the air out of the tires—in both the band’s career and this book.
Those who are already fans will appreciate the few revelations here.Pub Date: Nov. 15, 2013
ISBN: 978-0-306-82131-8
Page Count: 296
Publisher: Da Capo
Review Posted Online: Sept. 22, 2013
Kirkus Reviews Issue: Oct. 15, 2013
BOOK REVIEW
BOOK REVIEW
PROFILES
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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