Jeapes rockets into the YA hardcover sci-fi market with an attack by aliens on an observation base located far in space and staffed by humans and an extraterrestrial species, the First Breed. Twenty-one days later, the large cast of characters has negotiated a complex first-contact experience. In the 2140s, humans inherited interstellar travel technology and leadership of the First Breed (more commonly called “Rusties”) from an advanced, alien civilization. Humans and Rusties continued their predecessors’ policy of hidden observation of the “Xenocides,” who were seen methodically exterminating the population of a nearby planet. This series of rapid changes in the knowledge and ascendancy of humans caused political changes in Earth’s governmental configurations and power structures. However, humans haven’t changed—especially in their drive for power and their delight in subterfuge, manipulation, and double-dealing. News of the attack on the observation station precipitates a crisis among the Earth’s various coalitions and alliances. They all insist on sending observers on the military mission, creating a recipe for disaster. Jeapes maintains suspense at a high level by his skillful use of narrative techniques; the byzantine plot is filled with cultural misunderstandings and double-crosses right up to the end. Told from the point of view of many characters and moving among the personalities, species, and power groups, it allows details—historical, personal, and cultural—to emerge as the plot unfolds. The structure is unusually complex, moving back and forth in time as the point of view changes from character to character. As with many plot-driven works, characterization is occasionally wooden, but it certainly doesn’t interrupt the flow of the narrative. Incorporating the best qualities of YA SF, this is a space opera that employs sociological examination and world building of a very high order—who could ask for anything more? A rip-roaring read. (Fiction. YA)
Pub Date: May 14, 2002
ISBN: 0-385-75007-2
Page Count: 400
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2002
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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