A well-written, fast-paced, and satisfying historical adventure.
In this series opener and pastiche sequel to Robert Louis Stevenson’s Treasure Island (1883), Jim Hawkins’ plans to become a doctor are scuttled when he’s forced into another seaborne adventure.
It’s four years after the events described in Treasure Island, said here to have been written as a memoir by James “Jim” Hawkins. Jim, now 17, has enough takings from his treasure and his book to make him a rich man. Most of the money is held in trust until Jim is 21, but it’s time to consider a profession. He decides that, like family friend Dr. David Livesey, he too will become a physician and help “make the world a better place.” Dr. Livesey arranges for an apprenticeship to his friend, Dr. John Taylor, a surgeon at St. Bartholomew’s Hospital in London. While waiting for a boat to London, Jim can stay with Dr. Livesey’s sister in Plymouth. All well and good—but while in Plymouth, Jim is press-ganged aboard the ominously named HMS Barabbas and put to work as captain’s steward, becoming apprenticed to Dr. Wilequet, knowledgeable but usually drunk. Jim soon learns that not all pirates sail under the skull and bones, and that his own memoir—which mentions still-buried treasure—has put him in danger. He’ll need courage, wits, and luck to get back to dry land. Jeapes (The Xenocide Mission, 2018, etc.) offers a nicely judged take on a classic historical adventure novel. With an occasional slip into modern diction, Jeapes generally reproduces the speech rhythms and vocabulary of Stevenson’s novel successfully, and he provides vividly authentic descriptions of life (and death) aboard ship: “Jim just had a moment to see the water around the target erupt with white splashes, before the cloud of smoke that had burst from the guns blew back across the ship. A chemical stink tore at the back of his throat and stung his eyes.” Moments of humor, a little romance, and just desserts help enliven the sometimes-dark proceedings.
A well-written, fast-paced, and satisfying historical adventure.Pub Date: June 10, 2019
ISBN: 978-1-07-305745-0
Page Count: 304
Publisher: Time Tunnel Media
Review Posted Online: Aug. 7, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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