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THE XENOCIDE MISSION

Jeapes rockets into the YA hardcover sci-fi market with an attack by aliens on an observation base located far in space and staffed by humans and an extraterrestrial species, the First Breed. Twenty-one days later, the large cast of characters has negotiated a complex first-contact experience. In the 2140s, humans inherited interstellar travel technology and leadership of the First Breed (more commonly called “Rusties”) from an advanced, alien civilization. Humans and Rusties continued their predecessors’ policy of hidden observation of the “Xenocides,” who were seen methodically exterminating the population of a nearby planet. This series of rapid changes in the knowledge and ascendancy of humans caused political changes in Earth’s governmental configurations and power structures. However, humans haven’t changed—especially in their drive for power and their delight in subterfuge, manipulation, and double-dealing. News of the attack on the observation station precipitates a crisis among the Earth’s various coalitions and alliances. They all insist on sending observers on the military mission, creating a recipe for disaster. Jeapes maintains suspense at a high level by his skillful use of narrative techniques; the byzantine plot is filled with cultural misunderstandings and double-crosses right up to the end. Told from the point of view of many characters and moving among the personalities, species, and power groups, it allows details—historical, personal, and cultural—to emerge as the plot unfolds. The structure is unusually complex, moving back and forth in time as the point of view changes from character to character. As with many plot-driven works, characterization is occasionally wooden, but it certainly doesn’t interrupt the flow of the narrative. Incorporating the best qualities of YA SF, this is a space opera that employs sociological examination and world building of a very high order—who could ask for anything more? A rip-roaring read. (Fiction. YA)

Pub Date: May 14, 2002

ISBN: 0-385-75007-2

Page Count: 400

Publisher: David Fickling/Random

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2002

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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